Category Archives: Articles

Nepal’s “Living Goddesses” come to life in Miranda Shaw’s Keynote

by Joan Cichon, ASWM Board member

I first read Professor Miranda Shaw’s Passionate Enlightenment: Women in Tantric Buddhism ten years ago, and I still remember how impressed I was with the depth of her scholarship and insights.  Therefore, it was with great anticipation that I looked forward to her presentation “Living Goddesses: Embodying the Divine in Buddhist Nepal” at ASWM’s East Symposium.

For her keynote address, Dr. Shaw began by briefly telling us about how she became interested in women in Buddhism.  One important factor was the representations of the yoginis she saw:  as she looked into their eyes, and observed the ferocious intensity, she knew that there was an important part that had been left out of the story of the evolution of Buddhism.  Thus she researched and wrote Passionate Enlightenment.

Her presentation at the symposium centered on the Vasudhara festival in Nepal.  Vasudhara, a female bodhisattva of wealth, prosperity and abundance, is extremely popular among the Newari Buddhists of Katmandu.   Continue reading

“Things We Don’t Talk About”: Women’s Wisdom from the Red Tent

A contemporary Red Tent

“Things We Don’t Talk About” is a groundbreaking feature-length documentary film that is currently being produced by filmmaker (and ASWM member) Isadora Gabrielle Leidenfrost, as part of her dissertation at the University of Wisconsin-Madison. The film weaves together healing narratives from the Red Tent — a red textile space where women gather to share deep and powerful stories about their lives. The Rent Tent movement is changing the way that women interact, support each other, and think about their bodies. “Things We Don’t Talk About” seeks to humanize the stories in the red tent—to put a face on the space.

What is the Red Tent?

The Red Tent is a phenomenon and a movement that is unique to women. Inspired by the bestselling novel of the Old Testament, The Red Tent (1997) by Anita Diamant, women have spontaneously created a contemporary tradition of red fabric “tent” spaces that honor and promote women’s healing.

Neither the Red Tent movement nor “Things We Don’t Talk About” is affiliated in any way with Anita Diamant’s excellent novel of the same name. Nonetheless, Diamant’s description of the traditional menstrual hut used by women in the book inspired, in part, the idea of the Red Tent as a special space and a healing practice.

Isadora describes the Red Tent this way:

With its ability to address social problems, reflect values, knowledge, and the basic feelings of women, the Red Tent fulfils a constellation of gendered societal needs: To create a place that honors and celebrates women; enable open conversations about the things that women don’t want to talk about in other venues; promote positive ideals for womanhood; educate women about their bodies; educate women about natural menstrual remedies; create an open dialogue about sex; share birthing information; discuss issues of body image and self-acceptance; provide a place where women’s voices can be heard; to provide a spiritual place for women where they can laugh, cry, sing, dance, give each other back or foot rubs, play with face and body painting, give or receive massage and other types of body work, tell stories, eat soup, drink tea, sleep, meditate, journal, share poetry, create artwork, knit … just to name a few!

‘Things We Don’t Talk About” will be released in May 2012. For more information visit http://www.redtentmovie.com and http://www.facebook.com/redtentfilm

Deity in Sisterhood: An Introduction

Deity in Sisterhood:  A Brief Introduction to the Collective Female Sacred in Germanic Europe

©2010, Dawn E. Work-MaKinne.  All rights reserved.

Deae Matronae of the Ubi

Popular imagination often portrays pre-Christian Germanic religion as stereotypically patriarchal and violent. It is true that both pre-Christian and Christian Germanic religious expressions are principally male-centered, and much of the literature from the age of the Viking lore depicts the actions of violent men and families. However, alongside and within these stories, histories and religions runs a counter-view of the divine as collective and female.  There are groups of goddesses and groups of female saints, often in collectives of three, but just as often unnumbered.  Although it is not a requirement that collective deity be female, in Germanic Europe it is overwhelmingly the case.  Collective goddesses and the collective female sacred can therefore be a subset of a larger concept, that of collective deity. For my purposes, collective deity is (1) a group of sacred or supernatural beings (2) collected under one group name (although they may carry additional individual names or epithets) (3) but not conflated into a single being; (4) worshipped collectively; (5) who act and wield their powers collectively and consensually.

The collective sacred female is an underrecognized theme that winds through Germanic religious history, pre-Christian and Christian. The earliest example of the Germanic collective goddesses is the Deae Matronae, Roman-Celto-Germanic goddesses of the Roman Era Rhineland, at the beginning of the Common Era. These goddesses are always a threesome, and when they are depicted in artwork, show two goddesses with the large bonnet headdresses of the married Ubii tribeswoman, along with one goddess wearing the long, flowing hair of the unmarried Ubii woman.  The artwork depicting the goddesses clusters around the century beginning 164 CE. Though the goddesses were those of a Germanic tribe, they were worshipped in a Roman manner, and the artifacts that remain are those carved by Roman stonecutters, remnants of the Roman vota ceremonies. The artifacts do not reveal the content of the vows fulfilled by the goddesses, but they do reveal the names and epithets of the Matronae goddesses: names speaking of the landscape, the peoples, the rivers, the animals and the bountiful nature of the goddesses.

It is almost a thousand years before the next collectives of goddesses appear in the Germanic historical record, and these are in Old Norse-speaking Iceland. Continue reading

A Note about Bees

ASWM’s mission is to promote the study of mythology.  Myths about animals are essential to our ability to explain our humanity to ourselves.  And they are based on observation of the wonders and magic of living species.  We can’t isolate ourselves from our animal “relations” whose wisdom we celebrate.  We have an obligation to promote their welfare along with our own.

Bee Goddess of Rhodes

We chose the image of the Bee Goddess as our logo and central metaphor for ASWM for very good reasons.  It is not only that bees are great collaborators and communicators. The honey they produce is a magical substance unlike any other, sweet beyond compare, more often given through cooperation than taken by competition.  Honey is also associated with shamanic travel and physical healing.  Myths of bees are intimately related to the myths of goddesses in many traditions, and more often associated with women than men. Continue reading

Green Goddess Conference–A “Life-weaving Web”

Annie Finch at Kirkridge, photo by Ora Wry

Award-winning poet Annie Finch, featured speaker at our ASWM Conference, reflects on the activities of the weekend:

The ASWM conference was truly a life-weaving web–and a life-changing one for me. I have rarely (never?!!) read for an audience that “got” my goddess poems so profoundly–it was humbling. Overall, the quality of so many presentations was so high–and the content so amazing, so rich, so nourishing. I especially remember performances by Elizabeth Cunningham in her bawdy bodice, reciting a Magdalen prologue from memory prefaced and concluded by songs (what novelist ever does that??!); Cristina Eisenberg’s superb keynote presentation on women and wolves; the remarkable world premiere of the film Pink Smoke Over the Vatican; untangling patriarchy over lunch with Oloye Aina Olomo; dancing a raucous Sicilian dance and participating in Betz King’s superb womb-healing ceremony; being inundated, filled, by fantastic presentations exploring images of the Goddess in the form of bee, butterfly, deer, snake, wolf. . . and meeting so many new and established (Margo Adler! Diane Wolkstein!) brave scholars, writers, and artists, who give so much, care so much, do so much to further this much-needed herstory. I wish ASWM a long and flourishing life, since I know that will mean many more astounding conferences!

Resource: History of Goddess Studies

 Minoan Era Golden Bee

Minoan Era Golden Bee

Patricia Monaghan has written a series of articles called “Approaches to the Study of Goddess Myths and Images” for the Seasonal Salon, the on-line journal for the Re-formed Congregation of the Goddess, International.  The articles explore the contributions of pioneer researchers over the last 150 years.

Link here for the first of the articles:

http://www.rcgi.org/salon/062009/goddessstudy.asp

Web Resources for Managing References

beegpurp1

In her recent editorial in Matrifocus, Sage Starwalker lists  these two great sites for managing, searching, and sharing scholarly references on the web.  Thanks, Sage!

CiteULike

http://www.citeulike.org/

a service for managing, discovering, and sharing scholarly references

Bibster

http://bibster.semanticweb.org/

a system that assists researchers in managing, searching, and sharing bibliographic metadata; “…it provides the possibility to search on a distributed peer-to-peer network … (and) an easy way to share data with other researchers.”

“The Goddess Movement Beyond the Baby Boom”

 Minoan Era Golden Bee

Minoan Era Golden Bee

One of the problems that has plagued feminist movements in the past is that one generation of “movers and shakers” has not found a way to communicate with the next generation.  In this informative editorial Sage Starwalker addresses cross-generational communication through the use of social networking and other technologies.  In order for us to keep growing and moving forward, we “elders” must find ways to bridge the gap and overcome any reluctance to meet our younger sisters in the places where they meet (probably on the internet).  This article ought to be required reading for those of us who want to open such a dialogue.

http://www.matrifocus.com/LAM09/editorial.htm

Resource for Independent Scholars

Bee on Sunflower by Ginny Stibolt

Bee on Sunflower by Ginny Stibolt

The National Coalition of Independent Scholars is an organization whose goals include increasing access to libraries and archives, publicizing grant opportunities, and encouraging foundations to open competitions to include independent scholars.  Membership is reasonably priced and there are valuable resources available, whatever your area of interest.

National Coalition of Independent Scholars

“Vocational Arousal” and Goddess Study, by Sid Reger

Maenads, the Greek Women of Ecstatic Dance

Maenads, the Greek Women of Ecstatic Dance

Futurist Barbara Marx Hubbard coined the phrase “vocational arousal” to describe the thrill that occurs when you meet a person whose sense of purpose fuels your own.  This occurred for her when Jonas Salk asked her to discuss her concept of co-creation, which exactly matched his dream for a new conversation about humanity:

This excitement happens when you meet somebody whose purpose activates your own.  I call that supra-sexual.  I was aroused, I had a vocational arousal.  Because the vocation is the genius of the individual wanting to be expressed.  And that’s as powerful as the genetic code wanting to be expressed sexually.  In fact many women know it’s more powerful.  It’s more important to us to have a vocation than it is to have a child. Continue reading