Goddesses. Women. Cloth:Mary Kelly To Give Keynote Address at ASWM Midwest Symposium
Ebroidered Goddess, Norway
ASWM is excited to present its 2011 Midwest Symposium Thursday, May 19, 2011 in Madison, Wisconsin. The keynote speaker at this event is Mary B. Kelly, textile expert and artist, who will present a 7:30 p.m. lecture entitled Goddess. Women. Cloth: Inspired Ritual Textiles from Around the World. This evening lecture will feature slides and hands-on experience with the textiles.
Within folk cultures across the world, women make textiles, inspired by goddesses, and use them in rituals to honor their deities, contact spirits or protect their families and communities.
In some areas these traditions continue today. This presentation features an overview of the textiles in the context of history, rituals and religious beliefs. Kelly explores cultures worldwide: Siberia, China and the Far East, India, Central and South East Asia, Eastern, Northern and Central Europe, Greece and the Balkans, Africa and the Americas, sharing her extensive knowledge and research on local textile traditions.
If you are frequently searching for images from art history or archaeological sites, you might want to add California State University’s WorldImages site to your bookmarks. This site contains more than 80,000 images which you are free to use for non-profit educational purposes, provided that you credit the copyright holders of those images. The database began as a collection used for teaching a survey art history course, but it has grown to include images appropriate for all grade levels.
The photo above is an example of an image relevant to our ongoing exploration of bee imagery. Here’s the copyright information provided in WorldImages:
Lisa Paul Streitfeld, who presented a paper in Philadelphia on “The Embodied Goddess in 21st Century Art,” took some beautiful photos of the event and posted them to her thought provoking blog. Check it out: (R)Evolution! Catalyzing the Zeitgeist.And, see a clip of an interview with Lisa talking about the necessity for the emergence of women’s creative energy.
If you attended and took pictures, please let us know and we will be happy to post them as we have space!
What an amazing organization and conference series ASWM has created. I experienced the weekend by presenting as well as attending panels and performances.
My talk began with an exploration of how Buddhist women in Nepal embody Vasundhara, earth mother and goddess of abundance and wisdom. I showed slides of rituals that invoke their identity with the golden goddess. I could see that both the words and images were going deep. The women present were also enchanted by the Kumari tradition, in which young girls embody the female Buddha Vajrayogini. Talk about a receptive audience! Beyond receptive—hungering and thirsting for knowledge of goddesses and women’s religion.
My mother Merry Norris spoke and showed slides in the next panel. She not only showed her own mandala and goddess paintings, but those of her students, many of whom had never picked up a paintbrush before, commenting on the healing and transformations that were associated with various artworks, as women went through a particular challenge or life transition.
The images are so obviously empowered and empowering. Many archetypal goddess images come through, even when women have had no direct exposure, and that was apparent in the slides. One of her central themes was a difference she sees between ‘recovery’ and ‘transformation.’
The discussion afterward was great: how do we draw on goddess imagery and stories to transform our consciousness and lives. One woman raised a concern about a tendency she sees—not in the speakers but more broadly in our culture—for women/feminists to turn the spiritual growth process into a kind of self-help therapy. Entirely focused on self-improvement, this becomes another, albeit subtler, form of disempowerment, of never being good enough, never ‘arriving.’
I first read Professor Miranda Shaw’s Passionate Enlightenment: Women in TantricBuddhism ten years ago, and I still remember how impressed I was with the depth of her scholarship and insights. Therefore, it was with great anticipation that I looked forward to her presentation “Living Goddesses: Embodying the Divine in Buddhist Nepal” at ASWM’s East Symposium.
For her keynote address, Dr. Shaw began by briefly telling us about how she became interested in women in Buddhism. One important factor was the representations of the yoginis she saw: as she looked into their eyes, and observed the ferocious intensity, she knew that there was an important part that had been left out of the story of the evolution of Buddhism. Thus she researched and wrote Passionate Enlightenment.
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