20257 Kore Dissertation Award Announcement and Application

Kore Award for Best Dissertation in Women and Mythology 2027

Euthydikos-Kore

 The Kore Award for Best Dissertation in Women and Mythology is conferred by the Association for the Study of Women and Mythology. The award, established in 2009 and generously funded by a bequest from ASWM founder Patricia Monaghan, carries a $500 cash prize. Recipients also receive conference registration, two nights’ lodging, and travel funding up to $400 in support of their attendance and conference presentation.

The intention behind its founding is to create awareness of excellence in Women and Mythology, and to provide an organizational framework for supporting graduate students in their work. The award is presented at our biennial international conference, for dissertations completed and defended in 2024-2026. Defense must be completed by December 31, 2026.

Applicants can be from any discipline, including but not limited to literature, religious studies, art or art history, classics, anthropology, and communications. Creative dissertations must include significant analysis of mythology in addition to creative work. 

Past winners include: 

  • Dr. Dawn Work-MaKinne (2010), Deity in Sisterhood: The Collective Female Sacred in Germanic Europe;
  • Dr. Shannan Palma (2012), Tales as Old as Time: Myth, Gender and the Fairy Tale in Popular Culture;
  • Dr. Mary Beth Moser (2014), The Everyday Spirituality of Women in the Italian Alps;
  • Dr. Annette Williams (2016), Our Mysterious Mothers: The Primordial Feminine Power of Àjê in the Cosmology, Mythology, and Historical Reality of the West African Yoruba;
  • Dr. April Heaslip (2018), Regenerating Magdalene: Psyche’s Quest for the Archetypal Bride;
  • Dr. Monica Mody (2020), Claiming Voice, Vitality, and Authority in Post-Secular South Asian Borderlands; and 
  • Dr. Joan Marler (2025), Marija Gimbutas’ Contributions to Archeology and the Reactions Within Her Field.

Applicants must be members of ASWM upon submission of entry. A letter of support from the dissertation chair/director must accompany the application. Applicants are encouraged to also propose a paper for the national conference, and to appear at and present work at the national conference, if they receive the award. Information about the national conference can be found at womenandmyth.org.

Schedule for 2027 award:

  • Dissertations completed and defended: 2024-2026
  • Deadline for completion and defense: December 31, 2026
  • Application window: October 1, 2026-January 17, 2027
  • Announcement of award winner: Early March, 2027
  • Award Ceremony at conference: Saturday April 10, 2027, Philadelphia, PA

Application for Kore Award for Best Dissertation in Women and Mythology

Name:

 Mailing address:

 Email:

 Field of Study:

 Title of Dissertation:

 Date of graduation:

Institution degree granted by:

Dissertation advisor’s name:

Dissertation abstract:

Please submit via email to awards@womenandmyth.org:

  • This form;
  • Dissertation in either PDF (preferred) or MSWord; and
  • Letter of Support from dissertation advisor (PDF or MSWord, emailed directly from them).

Salon 105 (Recording Now Available)

Scholar Salon #105: Joan Marler and Susan Moulton discuss how Marija Ginbutas and other wise foremothers model behavior, courage, strength  and grace in the search for truth in the face of hostility, disrespect and disregard.

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Dana Driscoll Shares her Art with our 2027 Conference

“Connected to the Divine” by Dana Driscoll, 2026

Our thanks to Dana Driscoll for sharing her artwork with us for our 2027 Conference, “Wisdom in the Thin Places: Thinking and talking about the liminal.”

The program for this event reframes knowledge creation and transmission through unseen connections among people, animals, and the green world.  Dana’s watercolor “Connected to the Divine”  beautifully conveys the intention and spirit of our program, linking sacred knowledge with both the rooted earth and the mysterious moon.

Dana Driscoll:  “I am an Ollave Adept in the Ancient Order of Druids in America (AODA) and currently serve as the Grand Archdruid of the Ancient Order of Druids in America. I spent three years intensively studying permaculture design principles. Applying them to nature-based spiritual practice at my homestead in Western PA, my partner Rob and I  work to regenerate, rewild, and reconnect, growing in this beautiful place we are planted. As druidry is a three-fold path, I also practice the bardic arts, both writing (books, website and blog, etc) and magical visual arts. Artistically, I enjoy watercolors, pyrography, leatherwork, natural arts) and wildcrafted functional crafts (handmade papers, inks, watercolors). I am a generational artist, having been first trained by my parents, Mark and Bonnie, who both had careers as artists. My art can be found in decks like the Tarot of Trees, in the logos and banners of many herb and druid gatherings, as an invitation gift, randomly on the street for free, or given as a gift to my community.  “

About this painting, Dana says “This work is called “Connected to the Divine”  and is my interpretation of how I view being a druid in the world–we are deeply rooted in the earth, connected to all of the cosmos, with the splendor of the world around us.”

In addition to her artwork, Dana has written several books including Land Healing: Physical, Metaphysical, and Ritual Approaches for Healing the Earth and Eco-Spirituality for the 21st Century.  Dana’s art and writing can be found at her website The Druid’s Garden.

 

Announcing Scholar Salon 106 Register for November 19

“MEETING LILITH, THE FIRST WOMAN and amulets to counter Her, borne of patriarchal fears & rabbinic fantasies”

with D’vorah J. Grenn

Thursday,  November 19, 2026 at 3:00 PM Eastern Time  

REGISTER HERE

Babylonian Incantation Bowl, c. 5th-8th C. CE, The National Library of Israel

In Lilith, the first mythological woman before Eve, we see the power of an archetype. The change in public perception of Lilith as a Mesopotamian goddess, to someone later painted as a demonic figure, came about as patriarchy took root; her portrayal grew worse over time. However, starting in the last third of the 20th Century many returned to seeing Lilith as a goddess, as a positive feminist role model, or as a paradoxical figure embodying some of our best and worst qualities.  

As we’ll see, through literature and amuletic images starting in the 2nd  millennium BCE, Lilith was once a deity on whom women could call for protection during pregnancy, childbirth and at other times. But Her later image became that of a child-stealing witch, a succubus, one who made children sick, or worse. Did both women and men support the demonized version of Her?  

Birth amulet and incantation against Lilith, Israel, 1864

Today some still envision Lilith as a negative force; for others, She personifies self-sovereignty, and a free-thinking, sexually autonomous being. However we picture Her, Lilith remains alive in our imaginations, in popular culture, in art, writing, film, music, across the globe. She leads us to question authority and the status quo. That is Her power.

Dr. D’vorah j. Grenn

D’vorah J. Grenn, Ph.D is a Yoreshet/lineage holder of a female Kabbalist tradition, En-Kohenet/priestess and ordained Mashpi’ah/spiritual guide. She founded The Lilith Institute (1997), co-directed the Women’s Spirituality MA Program at ITP/Sofia University and has taught at Napa Valley College and throughout the San Francisco Bay Area on women’s rituals, feminist thealogy and philosophies, sacred arts and literature, and Jewish mysticism. She co-teaches on the Kabbalistic Tree of Life with Reb Nadya Gross; they recently co-produced their second symposium, “Wisdom of the Mothers: Honoring Our Ancestral Roots” and will offer a “Wisdom of the Mothers: Sacred Arts, Embodied Knowing” Virtual Symposium on May 16-17, 2027.

 D’vorah’s publications include: Lilith’s Fire: Reclaiming our Sacred Lifeforce; Talking to Goddess, an anthology of writings from 72 women in 25 traditions; “Lilith’s Fire: Examining Original Sources of Power”, Feminist Theology Journal; Jewish priestess and Lilith entries in Encyclopedia of Women in World Religions; “For She Is A Tree of Life: Shared Roots Connecting Women to Deity”, her dissertation on beliefs and rituals among U.S. and South African Lemba women of Jewish ancestry, and “Spiritual Brokenness and Healing Presence of the Sacred Feminine”, FEMSPEC feminist journal. She has been a guest on podcasts including the Revelation Podcast Project and Breaking Down Patriarchy; was a featured speaker in the “Crones, Hags and Elder Wise Women” Summit, and co-hosted 50 episodes of the “Tending Lilith’s Fire” broadcast with Kohenet Annie Matan.

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Check back for Salons beginning on January 14, 2027

Benefit of Membership - ASWM

This Salon recording will also be available to members when processed after the event. 

 

2027 ASWM Tour: Penn Museum of Archaeology and Anthropology

Thursday, April 8 2027, 11:30 AM Eastern Time

U Penn Museum, Philadelphia PA

On Thursday, April 8, we will have a special backstage tour of the University of Pennsylvania Museum of Archaeology and Anthropology.  Housing over 1.3 million artifacts, the museum features one of the most comprehensive collections of Middle and Near-Eastern art in the world. It is referred to as a ” hidden gem” with galleries organized by geography and culture and including unique and innovative displays.

Curators and Collaborators, U Penn Native America Gallery

Our ASWM tour includes a special “backstage” presentation on the development of the exceptional, highly collaborative Native America exhibition with curator Megan Kassabaum and one of the Native American collaborators (via zoom). We will also experience the Museum’s outstanding “Queens, Warriors, and Archaeologists” tour of the remarkable women featured throughout the galleries. 

The tour cost of $85 includes travel by bus, a box lunch, Museum admission, and fees for both tours. Registered participants may choose to add this tour at a later date, space permitting.

We will meet  at 11:30 in the hotel on Thursday April 8, and return by 5:00 pm.