Scholar Salon 66

ASWM Scholar Salon with Dr, Mary Condren explores her relationship to Faughart, County Louth, one of the oldest ritual sites in Ireland, where shadowy figures, such as Flídais, Bláthnait, Monenna, and the Cailleach persist to this day. 

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Announcing Scholar Salon 67: Register for March 7

“Matriarchy in Bronze Age Crete: A Perspective from Archaeomythology and Modern Matriarchal Studies”

with Dr. Joan Cichon

Thursday,  March 7, 2024 at 3pm Eastern Time  

REGISTER HERE

Petsofas Peak Sanctuary, Crete

Bronze Age Crete evokes for many the image of a highly sophisticated civilization: peaceful, artistic, and refined; a society in which women were highly visible and important, and the supreme deity was a Goddess. Although authorities acknowledge that women played a major role in Bronze Age Cretan society, and the preeminent deity was female, there is a gap in the scholarly literature regarding the role of Goddess, women, and matriarchy in Crete.

Reconstruction of fresco at Knossos

The debate over whether Bronze Age Crete was a matriarchal society continues to be heated and unresolved. Joan’s research and her resulting book, Matriarchy in Bronze Age Crete: A Perspective from Archaeomythology and Modern Matriarchal Studies, attempt to fill the gap in the scholarly literature and advance that debate toward a more complex, detailed, and certain conclusion. Her work pioneers the argument that Bronze Age Crete was a Goddess-centered, woman-centered, matriarchal society, based on the latest archaeological findings and the emergent fields of archaeomythology and modern matriarchal studies.

Dr. Jpan Cichon

Joan Cichon, Ph.D.,  a retired history professor and reference librarian and one of ASWM’s founding board members, earned her doctorate in Philosophy and Religion from the California Institute of Integral Studies. Her recently published book is entitled Matriarchy in Bronze Age Crete: A Perspective from Archaeomythology and Modern Matriarchal Studies (Oxford: Archaeopress, 2022). Joan has published articles on the Cretan Mother Goddess, the origins of the Eleusinian Mysteries, the centrality of women in Bronze Age Crete, and archaeomythology. For the past thirty-five years, she has spent several months in Crete each year studying, visiting archaeological sites and museums, and exploring the island.

Note: Joan’s book is available in open access PDF from Archaeopress.

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Save the date for this upcoming ASWM Salon:

Women Making History: The Revolutionary Feminist Postcard Art of Helaine Victoria Press with Jocelyn Cohen and Julia Allen

March 21, 2024 at 3pm Eastern Daylight Time

Benefit of Membership - ASWM

The Salon recording will also be available to members after the event. 

 

Announcing Scholar Salon 66: Register for February 22

“Why Brigit was Born at Faughart, Co. Louth”

with Dr. Mary Condren

Thursday,  February 22, 2024 at 12 NOON Eastern Time  

REGISTER HERE

The Coming of Bride by John Duncan (1917)

Following many calls, the Irish government recently instituted a Public Holiday in honour of Brigit: saint, outlaw, goddess, peace weaver, whistleblower, poet, healer and smith worker. As though a long- suppressed substrate had just been unleashed, unlikely combinations of feminist, post-feminist, pagan, goddess devotees, christian, post-christian, atheists, and agnostics collectively gathered offering unprecedented artistic, poetic, musical and ritual forms to celebrate the day. Apart from explicitly Christian events, the question Who is Brigit? was largely ignored. 

Brigit’s Well at Faughart

Focussing on the question, “Where was Brigit born?” this presentation will explore her relationship to Faughart, County Louth, one of the oldest ritual sites in Ireland, where shadowy figures, such as Flídais, Bláthnait, Monenna, and the Cailleach persist to this day. Many battles, mythic and real, took place at Faughart. In Saint Brigit’s birth stories, could another battle have been fought, that between indigenous ritual traditions, and the emerging Christian church? Did Saint Brigit’s birth at Faughart signify both its matristic importance, alongside the parallel importance of subjugating Irish indigenous traditions, in the interests of an emerging patristic world order?

Dr. Mary Condren

Mary Condren Th.D., has degrees in theology, sociology, and social anthropology from the University of Hull; religion and society from Boston College, and a doctorate in religion, gender and culture from Harvard University. She is a Research Associate in Women’s Studies at the Centre for Gender and Women’s Studies, Trinity College Dublin; a former Research Associate in Women’s Studies at Harvard University, and has published widely on issues of feminism and religion, and on the interrelationship between religion, violence and gender.

Mary is the author of The Serpent and the Goddess: Women, Religion, and Power in Celtic Ireland. She is currently completing books on the roles of women and men in the sacrificial social contract.  Mary is also the National Director of Woman Spirit Ireland – The Institute for Feminism and Religion aims to explore a prophetic approach to feminism and religion, inclusive of many traditions and the emerging consciousness in Ireland. The Institute provides opportunities for women to reclaim religion by engaging theoretically and experientially with the issues of feminist theology, ethics, spirituality, and ritual.

 

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Save the date for this upcoming ASWM Salon:

Matriarchy in Bronze Age Crete: Perspective from Archaeomythology and Modern Matriarchal Studies

with Dr. Joan Cichon

March 7, 2024 at 3pm Eastern Standard Time

Benefit of Membership - ASWM

The Salon recording will also be available to members after the event. 

Scholar Salon 64

ASWM Scholar Salon with Vanessa Johnson: "Telling the stories and legends of African Goddesses rejects patriarchy as the central power of spirituality and shifts traditional male bound forms of spiritual discourse."

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Scholar Salon 63

ASWM Scholar Salon with Dr Heide Goettner-Abendroth about her new book which covers recent archaeological finds and scholarship to present a picture of the earliest cultural epochs, which were decisively formed by the inventions of women, by motherhood and maternal values.

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