” The Gifts of the Magi Were Meant for the Mother“
with Laura Shannon
Thursday,  January 8, 2026 at 3:00 PM Eastern Time  

   Facebook Live Promo Interview on 1/5/26:

In the Christian Nativity story, the Magi brought gifts of gold, frankincense, and myrrh, symbolising Christ’s kingship, divinity, and death. In this presentation, I suggest that the gifts of gold, frankincense, and myrrh were actually meant for the new mother, Mary. I will also consider the theory that the Magi were not only three, and were not only men, but may have included women healers and midwives among their number.

The original gifts of gold, frankincense, and myrrh – now preserved on Mt. Athos – take the form of gold filigree pendants and beads of blended frankincense and myrrh. These elements are now divided into smaller segments, but originally would have been joined together in one long loop, in the style of North African bridal necklaces of scented paste beads and flat gold filigree lockets.

The flat gold lockets were known as meskiyah, and were intended to contain fragrant substances. The beads, called skhab, are also powerfully fragrant, formed from resins and spices such as cloves and roses, or indeed frankincense and myrrh. These were ritually blended for a bride before her wedding in a custom which is still practiced today in North Africa.

With this and other artistic, iconographic, and medical evidence, I hope to shed light on indigenous value systems honouring mothers and childbirth, and to offer grounds for (re)placing the Holy Mother at the heart of the Nativity story, as the one for whom the sacred gifts were intended.

Laura Shannon has been researching and teaching traditional women’s circle dances worldwide for 40 years. With degrees in Intercultural Studies, Dance Movement Therapy, and Myth, Cosmology and the Sacred, she is currently a PhD candidate researching the roots of women’s ritual dance. A faculty member of the Findhorn Foundation Sacred Dance Department since 1998, Laura is also Founding Director of the Athena Institute for Women’s Dance and Culture; Director of the Ariadne Institute for the Study of Myth and Ritual and the Goddess Pilgrimage to Crete, following Carol Christ; and an Honorary Lifetime Member of the Sacred Dance Guild in recognition of her ‘significant and lasting contribution to dance as a sacred art’. Laura has published numerous articles and chapters on ritual dance in multiple languages, and as a musician and singer, has produced several recordings of traditional dance music. Laura lives in Greece and the UK.

See related article in Feminism and Religion

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Upcoming Scholar Salons (3pm Eastern Time):

Thursday January 22 “Women of Ancient Western Asia” “with Dr. Pinar Durgun

Thurday February 5, with Dr. Joan Marler, on the legacy of Marija Gimbutas

This Salon recording will also be available to members when processed after the event. 

“At the Heart: Honoring Palaeolithic Matrifocal Human-Animal Connection”
with Susan Moulton
Thursday,  October 30, 2025 at 3:00 PM Eastern Time  

   Facebook Live Promo Interview on 10/30/25:

Influenced by First Nation Indigenous concepts, Nature and animal behavior, this research expands the foundational idea of “personhood” to include all forms of life, especially the behavior and central role of the “sacred female/mother” in diverse species, including Paleolithic Hominins, and the role of the wise, older “lead” females in free-ranging mammalian herds and plant communities as key to the early understanding of human social structure and expression. To understand the complexity of the remote past we must consider the experience of the first Hominins who lived in synchrony with all sentient aspects of their natural environment, including animals and plants.

Few scholars have demonstrated an expanded awareness of the interconnectedness of life within Nature or the impact of the sentience and behavior of animals on the earliest human cultures, or how the diversity of life within ecosystems has functioned to influence human beliefs, symbols, stories, mythic systems and other forms of expression. This study challenges truncated archaeological methodologies of inherited patriarchal Eurocentric overviews and biases with their Cartesian opposition between Nature and human “civilization,” presuming humans have culture whereas non-human life forms do not.

 

Susan Moulton  has lived with animals from an early age and began riding horses at the age of three. For the past 52 years she has lived in rural Sonoma County, California on a small farm with an array of rescued animals. Susan has learned a lot from each species, using what she has learned from them to raise her two sons. To support her lifestyle, Susan was a university professor (Art/Art History) for 44 years, teaching over one hundred courses, and chairing the Art and Art History Department, and the University Faculty. She received her Ph.D. from Stanford University. Susan has been the recipient of numerous awards including a Carnegie Foundation Research Grant. She is the co-founder, with Joan Marler, of the International Institute of Archaeomythology. Susan has sponsored many M.A. students and PhDs, and has been blessed to share her ideas in publications and conferences globally, including numerous experiences with Indigenous Peoples in the US and abroad. Currently she is finishing a book that combines everything she loves: animals, art history, archaeology, and ecology, which is the subject of her Salon.

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Upcoming Scholar Salon (3pm Eastern Time):

October 30, 2025:  From the Heart: the Human Animal Connection with Susan Moulton

This Salon recording will also be available to members when processed after the event.