Jane Goodall has pointed out that human global disregard for nature brought on the current pandemic, documenting that mistreatment/exploitation of sentient beings can result in an exponential crisis for the whole planet.
Our 2022 biennial Symposium focuses on meanings found in the relational reality among science, culture, and mythology in regards to animals, the green world, and ecosystems.
With our primary focus on interconnectedness, we feature academic and artistic work that addresses collaborations between humans and other sentient beings, foundational myths about earth’s response to misuse, and scientific solutions to transgressions against the balance of nature.Â
Read about Denise Kester and “The Caretaker of the Precious,” the featured artwork for this event.
This article recently came to our attention. Judith was a wonderful visionary artist of archetypes of women and nature, who passed away in 2008. (Our thanks to Lauren Raine and Max Dashu for the reference.) The Encyclopedia of Women in World Religions: Faith and Culture Across History says that Judith “used womb/vagina imagery explicitly as devotional work dedicated to the goddess.”
“Missa Gaia: This is My Body,” Judith Anderson, etching, 1988
Describing her process of printmaking, Judith said,
“The germ of the idea for a particular print develops over many months or sometimes years. Images from reading, dreams, relationships, pictures, plants and animals will gather and cluster until a beginning form for the print emerges. The main image grows and changes, often in surprising ways, during the long process of working on the plate, which may be several months. Only some time after a print is finished do I come to understand intuitively more about its origins and implications.” (from Art of the Print website)
Here as well is artist Alicia Blaze Hunsicker’s blog post about Judith.
Featured ASWM artist Lauren Raine is holding a retrospective art show of her beautiful Masks of the Goddess Project. She describes her work this way:
In May I will be concluding the 20 year MASKS OF THE GODDESS PROJECT, which began as an Invocation to the Goddess at Reclaiming’s Spiral Dance in San Francisco in 1999. I have been so privileged to collaborate with Priestesses, Playwrights, Dancers, Ritualists, Community Organizers, Photographers, Choreographers, Writers, Singers, and Psychologists in sharing the “Faces of the Goddess”. The spirits of so many collaborators are in every mask and photograph. It’s my hope that as the masks leave me, they’ll go out to be used by others, to continue their work in some way.Â
Just want to thank you and all of the amazing women I met at the Women and Mythology Conferences I have attended. If you or anyone you know will be in SF at that time, please be most cordially invited to the Opening, or to see the show.
Feminist visionary artist Rae Atira-Soncea passed away ten years ago. Now in a new retrospective show, her dynamic work will be on display again in the Spring of 2019. A longtime leader of the arts community and a disability rights activist, Rae was featured at the first symposium of ASWM in 2008. Her work also appears in ASWM’s proceeings volume, Vibrant Voices: Women, Myth, and the Arts.
“Still Powerful: feminist revisioning of domestic objects by Rae Atira-Soncea,” will be March 23-31, 2019, on the 3rd floor Common Wealth Gallery, 100 S Baldwin, Madison WI 53703 Open 10-4 weekdays, and 9-5 on the 24th, 30th and 31st.
Reception will be Saturday, March 23, 2018 4-7:30PM. Much of the art featured in her blog will be on display and on sale.
You must be logged in to post a comment.