Category: Brigit

We are honored to offer the 2013 Brigit Award for Excellence in the Arts to Lydia Ruyle. Lydia is an artist scholar emeritus of the Visual Arts faculty, University of Northern Colorado in Greeley, Colorado, where The Lydia Ruyle Room for Women Artists was dedicated in 2010.  In April 2013, the University presented Lydia with a Lifetime Achievement Award.

Few artists can claim to have profoundly expanded and improved contemporary images of women. Lydia is beloved around the globe for her stunning presentation of multicultural goddesses and symbols of divinity.  Her Goddess Icon Banner Project began in 1995 with 18 banners created for exhibit in Ephesus, and has grown to include representations of over 295 goddesses.  The Brigit Award recognizes not only this great body of work but also Lydia’s dedicated scholarship in researching these diverse, inspiring images.

Sid Reger and Dawn Work-Makinne present the Brigit Award to Lydia in St. Paul, while  Lydia’s Gobekli Tepe Sheela banner dances in the background.

We are honored to announce that we will present our first-ever Brigit Award for Excellence in the Arts to Layne Redmond at our East Coast Symposium on March 12.

In the 1980’s, while working with percussionist Glen Velez and conducting research on the history and playing styles of the frame drum (a small hand-held drum of which the tambourine is one notable example), Layne Redmond began to notice that virtually all ancient Mediterranean and middle eastern images featuring this drum showed the player as a woman in a ritual setting. This discovery led to her lifelong work of sharing this knowledge and reviving the practice of goddess priestessing with frame drum. For fifteen years, she researched the history of this drum in religious and healing rites in the ancient Mediterranean world.

ne fruit of Layne’s work, When the Drummers Were Women, a Spiritual History of Rhythm,  was published by Random House in 1997 to great acclaim. This book, a masterful example of independent scholarship, continues to inspire both scholars and musicians.  This book details a lost history of a time when women were the primary percussionists in the ancient world and also explains why they are not today.

Layne assembled, taught, and led The Mob of Angels, a group of women who conducted deeply moving public ritual performances throughout the 1990s and New York City and beyond.

She has numerous exceptional recordings to her credit.  Invoking Aphroditefeatures the poetic works of Sappho, the Pythia Priestesses of Delphi, and the Epitaph of Seikilos (the oldest notated musical composition found to date).

Layne has taught at venues from colleges to retreat centers to gatherings of professional percussionists.

In recent years, she made pilgrimage to Cyprus, where her workshops and retreats have resulted in Cyprian women’s reviving the worship of great goddess Aphrodite via rituals with frame drum.

Layne has also researched and revived the “sacred path of the bee,” the tools of the ancient bee priestesses, and has released Hymns from the Hive, a CD celebrating this path.

Most recently, she has released a 6-DVD Frame Drum Intensive Training Program.

More information about Layne Redmond can be found on her website, throughmany youtube clips, and on her Facebook page.