Thank you to over 100 members and friends who responded to our recent survey. You told us that you prefer an affordable in-person event, and so do we! We are working diligently on plans for our Spring Conference. We will be in beautiful (and very affordable) Central New York on May 5th and 6th with a special optional event planned for the 4th.
However, as you know, ASWM is a small nonprofit organization funded through memberships. As such we have to have a contingency plan, especially in these uncertain times. For 2023, our plan relies on early commitments to attend.
Our plans for an in-person event are based on an adequate number of paid registrations by February 5th 2023. Otherwise, we will have to modify our conference from a live, two-day, face-to-face event, to a one-day, completely virtual format. We will continue to update you through our newsletter and website as time goes on.
All accepted presenters will be notified of acceptance by January 27th and decisions regarding our event format will be announced by February 6th. See below for Call for Proposals and Submission Form.
Please plan to join us by registering for our 2023 ASWM Conference no later than February 5th, 2023. Registration links are forthcoming, with early bird pricing.
We deeply appreciate the flexibility of our members and friends over the years, and the feedback that you give us about our event planning. Thank you for your understanding and cooperation.
We are excited to offer Arts andCulture Hall “booths” where some of our great presenters will share their work through videos and links, and maybe even in face-to-face conversations with you! There are also booths for academic programs and other resources. You may access these booths any time from April 3 to April 18m, by signing in after you register and selecting the Culture Hall at the top menu. Sign up at the booth to receive news about their work, see their videos, leave messages, and meet other attendees at the “table” at each booth. Two of these feature work by:
Lauren Raine (Earthspeak) and Yoli Maya Yeh and Umā Dinsmore-Tuli (Yoga Nidra Network)
Lauren Raine:“Earth-speak: Envisioning a Conversant World”
In 2018 I attended the Gatekeepers Conference on sacred sites & pilgrimage and made a personal pilgrimage to Avebury, Silbury Hill, Glastonbury, and other sites. EARTHSPEAK explores a mythic, historical, poetic and subjective response to these geomantically potent sites, in particular Silbury Hill, the largest prehistoric monument in Europe, with research that suggests it was at one time a representation of the body of the Earth Mother. EARTHSPEAK also suggests that Geomantic reciprocity occurs as human beings bring intentionality to a particular place, making it a holy or sacred place. Numinous communion with “spirit of place” can become increasingly active as it accrues mythic power in the memory of the people, and in the land. Sacred places have both an innate and a developed capacity to bring about altered states of consciousness, especially if people come prepared within the liminal state of pilgrimage.
Lauren Raine MFA is a cross-disciplinary artist best known for her Masks of the Goddess collection. She was resident artist at Henry Luce Center for the Arts & Religion, an Aldon B. Dow Fellow, and Resident Artist for Cherry Hill Seminary. Her work can be seen at: www.laurenraine.com.
Yoli Maya Yeh and Umā Dinsmore-Tuli: “Please, Humans – Get Some Sleep!” Listening to Yoga Nidrā Shakti Devī – Goddess of Rest
Yoga Nidrā Śakti is a South Asian Goddess of sleep, rest, and liminal spaces between dreaming and waking. A key figure in The Greatness of the Goddess (Devī Mahātmyam, c600BC), her Sanskrit name literally means ‘power of sleep’. She features in many images and indigenous story rituals, all describing her power to send every being (including gods) to sleep; she restores right relationship to cyclical rhythms of rest that hold life in balance. Wherever she appears, Nidrā Śakti counters transgressions of those who refuse to sleep, returning all beings to right relationship with natural cycles. Yoganidrā is also a state of yogic rest that supports healing for out-of-balance human experiences such as insomnia, anxiety and post-traumatic stress disorder. Sadly, the presence of Nidrā Śakti has been marginalised and eradicated from commercial and traditional yoga schools profiting from methods of the popular practice bearing her name: yoga nidrā. Through stories and exquisite images, we explore the liminality of Nidrā Śakti as goddess of thresholds between sleep and dream.
Yoli Maya Yehis a Yoga & Shiatsu Therapist & Educator in Comparative Religions & Global Studies, working at intersections of Indigenous Preservation, Healing Arts & Social Justice through her experiential education-based Decolonization Toolkit. Raised in her family’s Native American spiritual teachings, she spent 12 years of young adulthood studying language, yoga, tantra, healing arts & meditation in India.
Umā Dinsmore-Tuli and Yoli Maya Yeh are collaborative educators from the Yoga Nidra Network, a radical post-lineage organisation training yoga nidrā facilitators to make yoga nidrā freely accessible to all humans in their mother tongue. Umā is a yoga therapist and writer whose books include Yoni Shakti, Nidrā Śakti, and Yoga Nidrā Made Easy.
We are excited to offer special Arts andCulture Hall “booths” where some of our great presenters will share their work through videos and links, and maybe even in face-to-face conversations with you! There are also booths for academic programs and other resources. You may access these booths any time from April 3 to April 18m, by signing in after you register and selecting the Culture Hall at the top menu. Sign up to receive presenter news, see their videos, leave messages, and meet other attendees at the “table” at each booth. Visit these great presentations by:
Booths with MamaDonna Henes and Pegi Eyers
MamaDonna Henes: “Wisdom Delivered By Wing: Me & My Birds”
Multi cultural bird mythology, folk lore and contemporary stories. Bird goddesses and bird familiars. bird omens and bird teachers.Avian visitations, inspirations, lessons trance-formations. Bird dreams, bird omens, and lots of amazing true stories!
MamaDonna Henesis an internationally acclaimed urban shaman, popular speaker, and award-winning writer specializing in multi-cultural ritual celebrations of the cycles of the of the seasons and the seasons of our lives. (cityshaman@aol.com)
Pegi Eyers: “Deep Time Wisdom”
Embracing ways of thinking that pre-date Empire is a good starting point for all endeavors that revive the eco-self, and our re-connection to matristic community bonded to the land. Shifting away from the patriarchy is possible, and from pre-colonial, Indigenous or egalitarian models, the worldview and values we need are just waiting to be re-kindled. Also known as “decolonization,” we all have access to a well of deep knowing, or ancestral knowledge, that can be revived with immersion in nature, and by focusing on the “old ways.” Compiled from years of experience and research, Deep Time Wisdom will weave through a comparison chart that identifies the habits of modernity we take for granted, and alternatives in holistic patterns of thought and action. As just one example, “modern thinking/western mind” regards humans as separate from nature, bounded by the ego, self-absorbed, material and having a sense of linear time; whereas “ancestral thinking /Indigenous mind” views humans as part of nature, connected, empathic, physically grounded and embodied. I conclude with a statement on combined intelligences, or the “entwining of heart and mind” that fulfills our potential as true human beings. It may be a daunting task to “read our own souls” as women dwelling in an animist universe once again, but the outcome is clear that by activating Deep Time Wisdom, we align with the sacredness of the Earth, and the love and respect for nature that dwells at the heart of our lives.
Pegi Eyers is the author of the award-winning book Ancient Spirit Rising, a survey on social justice, nature spirituality, and the holistic principles of sustainable living. Pegi self-identifies as a Celtic Animist, and is an advocate for the recovery of ancestral wisdom and traditions for all people. She lives near Peterborough, Canada, on a hilltop with views reaching for miles in all directions. (Pegi-eyers@hotmail.com)
We are excited to offer Arts andCulture Hall “booths” where some of our great presenters will share their work through videos and links, and maybe even in face-to-face conversations with you! There are also booths for academic programs and other resources. You may access these booths any time from April 3 to April 18m, by signing in after you register and selecting the Culture Hall at the top menu. Sign up at the booth to receive news about their work, see their videos, leave messages, and meet other attendees at the “table” at each booth. Two of our selected presenters are:
Booths with Cristina Biaggi and Barbara Chepaitis
Cristina Biaggi: “The Poignant connection between Sapiens and Canis Familiaris”
Cristina’s video explores the intimate connection between the most prevalent
species on this Earth: Sapiens and Canis Familiaris. Accompanied by illustrations and diary entries the author will relate her intimate experience being the Doula and nurse maid of 8 puppies that her dog, Dandelion, could not take care of because she contracted Puerperal Fever (also known as Childbirth Fever) and had to be hospitalized. (Women in the 19th century and much before frequently died of this condition). Eventually the author’s other dog, Amandla, took over the care of the puppies, developed milk spontaneously, and became a mother to the 8 puppies, all whom survived – with the help of the author.
Cristina Biaggi, Ph.D is an artist, writer, and lecturer and has published 5 books. She has lectured extensively on Prehistory, Women Spirituality and Art. She has achieved international recognition for her contributions in the field of Goddess-centered art, Neolithic and Paleolithic prehistory and the history and impact of patriarchy on contemporary life. (amandla379@gmail.com)
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Barbara Chepaitis: “When the Goddess Calls”
“When the Goddess calls, she’s fierce, and real. And you better pick up the phone. The goddess who wants you is the one who finds you, and sometimes she arrives with more questions than answers. The goddess who found me was Austeja, bee goddess of Lithuania. And she didn’t make it easy. In fact, she swarmed me with bees, repeatedly, until I wrote a novel about her.
The result was the novel The Amber, which pays homage to the Lithuanian bee goddess Austeja, and explores what it means to be dragged back into your own soul, your own heritage, just when you thought you could leave it all behind.
But you can’t. We search out our ancestors because their story informs ours, and helps shape our souls. The more we know about it, the better we can make conscious choices about what we’ll keep, what we’ll leave behind, and where we want the story to go next. When I finished the first draft of my novel, I printed it out and stood on my front porch holding it, saying thank you, as I always do for the completion of a first draft. As I did, a swarm of honeybees flew down my country road, dipped briefly by me, and moved on.
Barbara Chepaitis is author of 12 published novels, including the critically acclaimed Feeding Christine and These Dreams, as well as the sci-fi series featuring Jaguar Addams. She is founder the storytelling trio The Snickering Witches, and concentration director in fiction for Western College of Colorado’s MFA in creative writing. (chepaitis@aol.com)
Hear Barbara’s description of her encounters in meeting Austeja, the Lithuanian bee goddess.
Eruptions of Inanna: Justice, Gender, and Erotic Power
We are pleased to announce that Eruptions of Inanna: Justice, Gender, and Erotic Power by Judy Grahn has won the Association for the Study of Women and Mythology’s Sarasvati Nonfiction Book Award. The award letter to Nightboat Books, which will be read at our symposium on April 10, reads as follows:
The clarity of Grahn’s prose, enlivened by flights of poesy, makes this a work of scholarly heft and intellectual precision a literary delight.
Grahn takes feminist, queer, and literary approaches to varied sacred narratives, eliciting the ethical vision implicit in each and restoring goddess/woman/womb to the rightful place of centrality and seat of power, whether revered or contested. The author also brings geographic, astronomical, and lexical considerations to bear on her interpretations, resulting in stunning revelations on virtually every page.
Eruptions of Inanna offers original insights on a spectrum of literary sources and associated cultural patterns. The book reveals something that generations of biblical scholars combing the Hebrew scriptures for Sumerian elements have failed to discover, namely, the profound indebtedness of the Book of Job to the hymns of Inanna in its moral premise, narrative frame, dialogic exchanges, and specific phrasing and theological formulations. Beyond this towering contribution, readers are rewarded with fresh perspectives on any material already familiar to them, such as the Gilgamesh epic, the Greek pantheon, Helen of Troy, and South Asian goddess traditions, as well as the titled Inanna. Those immersed in study of Inanna and the excellent scholarship already available will find in Eruptions of Inanna more majesty, lavish beauty, and all-encompassing power than previously envisioned as the book integrates the diverse and seemingly divergent aspects of Inanna into a cosmic whole.
While focusing on Near Eastern and Mediterranean materials, the inclusion of South Asian examples and cases further afield (Native American, African) gives the work a global sweep. The pressing ethical concern at the heart of the book is the conflictive value system of gender-based violence and oppression that now threatens life on the planet. Drawing on sacred stories spanning millennia, the author elicits an inclusive, cooperative worldview based on earthly, celestial, and human female bodily cycles of creation, transformation, and regeneration. The book steers us toward the goal of an equitable, compassionate world of collective harmony and flourishing.
We congratulate Nightboat Books on producing a beautiful book whose design allows the lapidary prose of the brilliant author to shine on its pages.
Judy Grahn is an internationally known poet, author, mythographer, and cultural theorist. Her works include seven books of nonfiction, two book-length poems, five poetry collections, a reader, and a novel. An early Gay activist who walked the first picket of the White House for Gay rights in 1965, she later founded Gay Women’s Liberation and the Women’s Press Collective. Her intention with writing is to replace obsolete philosophies with better ones.
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