“Onsite research: Listening to the Land”
with Elizabeth Cunningham
Thursday, January 27, 2022 at 3 PM Eastern Standard Time
REGISTER HERE
Novelist Elizabeth Cunningham will share how her encounters with place shaped The Maeve Chronicles, a series of award-winning novels featuring a feisty Celtic Magdalen. During her twenty years of research and writing, Elizabeth traveled to the Hebrides, Wales, Italy, Israel, France, Turkey, and England. Over and over, she discovered that the land itself has stories to tell to those who will listen: “Deserts are as real as gardens. When I returned home from these pilgrimages and continued to write, my vision was enlivened by the deserts, pavements, gardens, and lakes, mountains, and brothels my Magdalen might have seen with her own eyes.”
In her essay In Search of Real Gardens: A Novelist’s Onsite Research (2012) she recounts this insight rom her travels to Jerusalem: The Anglicans have a rival theory about the site of the crucifixion and locate it outside the medieval walls of the old city. They have a rival tomb also, a real one that dates to the 1st century and is big enough to have housed a small family. Outside it is a real garden where one can imagine Jesus pruning the trees on Resurrection morning, waiting for Mary Magdalen to recognize him. Because it was outdoors and less crowded—or maybe because of all my Anglican ancestors—this site held more appeal than the traditional one. On the Mount of Olives I felt closest to the story. I sat among the lap-like roots of a huge olive tree so old it might have been young when Jesus—and Maeve—walked back and forth between Jerusalem and Bethany.
The author of nine novels and four collections of poems, Elizabeth Cunningham lives in New York State in the valley of the Mahicantuck (the river that flows both ways). In addition to the four novels of the Maeve Chronicles, she has written The Return of the Goddess, a Divine Comedy, and All the Perils of This Night, a “smart and twisted literary thriller.” Her most recent volume of poetry is Tell Me the Story Again. For more about Elizabeth, please visit her website. (You can also find both Elizabeth Cunningham and Maeve Rhuad on FaceBook.)
Elizabeth Cunningham is a fellow emeritus of Black Earth Institute (BEI). Founded by ASWM co-creator, the late Patricia Monaghan, with Michael McDermott, BEI is a community of artist-fellows and scholar-advisers creating a more ethical world. BEI seeks to help create a more just and deeply interconnected world and promote the health of the planet. To do so, artists are appointed as Fellows for a term and Scholars join as advisors. BEI then encourages and supports its present and past Fellows and Scholars to address social justice, environmental issues and the spiritual dimensions of the human condition in their art and work. Their beautiful About Place Journal has featured the work of hundreds of artists. Michael is a longtime member of ASWM’s Advisory Board, as BEI cooperates with ASWM to expand our reach to scholars and to develop special programs.
Save the dates for upcoming ASWM Salons:
February 10 2022 3PM Eastern Standard Time
Title TBA
Apela Colorado
February 24 2022 12 NOON Eastern Standard Time
“Recent Thinking on the Maternal Gift Economy“
Genevieve Vaughan
The Salon recording will also be available to members after the event.
Learn more about sacred dreamwork in Jill’s recently launched book 
Our ASWM online symposium seeks to expand this understanding by highlighting the voices of First Nations and Indigenous scholars to discuss indigenous, Old European, and other Nature-based cultures. Our program includes: “Celebrating a Great Woman of Science: The Life and Legacy of Archaeomythologist Marija Gimbutas” “Women at the Center: Historic and Contemporary Resonances with Marija Gimbutas’ Work” “Marija Gimbutas’ ‘Collision of Cultures’: the Kurgan Invasions and the End of Old Europe” “Voices from/for the Land: Wisdom of Place and Tradition” “The Human/Animal Connection and Sacred Stories” “The Voice of the Goddess” (film) “Inspired by Marija: Artists, Writers, and Performers Roundtable” “Remembering Marija: Roundtable” “An Exaltation of Goddesses: A Poetry Performance” 
Our thanks to the 
Special thanks to Annie Finch and the talented women of the
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