Mary Kelly keynote: Goddesses. Women. Cloth.

Goddesses.  Women.  Cloth: Mary Kelly To Give Keynote Address at ASWM Midwest Symposium

Ebroidered Goddess, Norway

ASWM is excited to present its 2011 Midwest Symposium Thursday, May 19, 2011 in Madison, Wisconsin. The keynote speaker at this event is Mary B. Kelly, textile expert and artist, who will present a 7:30 p.m. lecture entitled Goddess. Women. Cloth: Inspired Ritual Textiles from Around the World. This evening lecture will feature slides and hands-on experience with the textiles.

Within folk cultures across the world, women make textiles, inspired by goddesses, and use them in rituals to honor their deities, contact spirits or protect their families and communities.

In some areas these traditions continue today. This presentation features an overview of the textiles in the context of history, rituals and religious beliefs. Kelly explores cultures worldwide: Siberia, China and the Far East, India, Central and South East Asia, Eastern, Northern and Central Europe, Greece and the Balkans, Africa and the Americas, sharing her extensive knowledge and research on local textile traditions.

East Symposium on (R)Evolution Blog

Lisa Paul Streitfeld, who presented a paper in Philadelphia on “The Embodied Goddess in 21st Century Art,” took some beautiful photos of the event and posted them to her thought provoking blog.  Check it out: (R)Evolution!  Catalyzing the Zeitgeist. And, see a clip of an interview with Lisa talking about the necessity for the emergence of women’s creative energy.

If you attended and took pictures, please let us know and we will be happy to post them as we have space!

The City of Sisterly Love: A report from the Philadelphia Symposium

by Dr. Miranda Shaw, keynote presenter

What an amazing organization and conference series ASWM has created.  I experienced the weekend by presenting as well as attending panels and performances.

My talk began with an exploration of how Buddhist women in Nepal embody Vasundhara, earth mother and goddess of abundance and wisdom.  I showed slides of rituals that invoke their identity with the golden goddess.  I could see that both the words and images were going deep.  The women present were also enchanted by the Kumari tradition, in which young girls embody the female Buddha Vajrayogini.  Talk about a receptive audience!  Beyond receptive—hungering and thirsting for knowledge of goddesses and women’s religion.

My mother Merry Norris spoke and showed slides in the next panel.  She not only showed her own mandala and goddess paintings, but those of her students, many of whom had never picked up a paintbrush before, commenting on the healing and transformations that were associated with various artworks, as women went through a particular challenge or life transition.

Merry Norris’ colorful cutouts inspire creativity

The images are so obviously empowered and empowering.  Many archetypal goddess images come through, even when women have had no direct exposure, and that was apparent in the slides.  One of her central themes was a difference she sees between ‘recovery’ and ‘transformation.’

The discussion afterward was great: how do we draw on goddess imagery and stories to transform our consciousness and lives.  One woman raised a concern about a tendency she sees—not in the speakers but more broadly in our culture—for women/feminists to turn the spiritual growth process into a kind of self-help therapy.  Entirely focused on self-improvement, this becomes another, albeit subtler, form of disempowerment, of never being good enough, never ‘arriving.’

The next panel I attended was on creativity, where Leesa Sklovar-Filgate talked about her work that combines psychotherapy, music therapy, and working with the Cetacean Society to find and save ‘lone’ whales that have become separated from their pods.  Continue reading “The City of Sisterly Love: A report from the Philadelphia Symposium”

Nepal’s “Living Goddesses” come to life in Miranda Shaw’s Keynote

by Joan Cichon, ASWM Board member

I first read Professor Miranda Shaw’s Passionate Enlightenment: Women in Tantric Buddhism ten years ago, and I still remember how impressed I was with the depth of her scholarship and insights.  Therefore, it was with great anticipation that I looked forward to her presentation “Living Goddesses: Embodying the Divine in Buddhist Nepal” at ASWM’s East Symposium.

For her keynote address, Dr. Shaw began by briefly telling us about how she became interested in women in Buddhism.  One important factor was the representations of the yoginis she saw:  as she looked into their eyes, and observed the ferocious intensity, she knew that there was an important part that had been left out of the story of the evolution of Buddhism.  Thus she researched and wrote Passionate Enlightenment.

Her presentation at the symposium centered on the Vasudhara festival in Nepal.  Vasudhara, a female bodhisattva of wealth, prosperity and abundance, is extremely popular among the Newari Buddhists of Katmandu.   Continue reading “Nepal’s “Living Goddesses” come to life in Miranda Shaw’s Keynote”

ASWM Honors Layne Redmond with Brigit Award (2011)

We are honored to announce that we will present our first-ever Brigit Award for Excellence in the Arts to Layne Redmond at our East Coast Symposium on March 12.

Layne Redmond

In the 1980’s, while working with percussionist Glen Velez and conducting research on the history and playing styles of the frame drum (a small hand-held drum of which the tambourine is one notable example), Layne Redmond began to notice that virtually all ancient Mediterranean and middle eastern images featuring this drum showed the player as a woman in a ritual setting. This discovery led to her lifelong work of sharing this knowledge and reviving the practice of goddess priestessing with frame drum. For fifteen years, she researched the history of this drum in religious and healing rites in the ancient Mediterranean world.

ne fruit of Layne’s work, When the Drummers Were Women, a Spiritual History of Rhythm,  was published by Random House in 1997 to great acclaim. This book, a masterful example of independent scholarship, continues to inspire both scholars and musicians.  This book details a lost history of a time when women were the primary percussionists in the ancient world and also explains why they are not today.

Layne assembled, taught, and led The Mob of Angels, a group of women who conducted deeply moving public ritual performances throughout the 1990s and New York City and beyond.

She has numerous exceptional recordings to her credit.  Invoking Aphroditefeatures the poetic works of Sappho, the Pythia Priestesses of Delphi, and the Epitaph of Seikilos (the oldest notated musical composition found to date).

Layne has taught at venues from colleges to retreat centers to gatherings of professional percussionists.

In recent years, she made pilgrimage to Cyprus, where her workshops and retreats have resulted in Cyprian women’s reviving the worship of great goddess Aphrodite via rituals with frame drum.

Layne has also researched and revived the “sacred path of the bee,” the tools of the ancient bee priestesses, and has released Hymns from the Hive, a CD celebrating this path.

Most recently, she has released a 6-DVD Frame Drum Intensive Training Program.

More information about Layne Redmond can be found on her website, throughmany youtube clips, and on her Facebook page.