Scholar Salon 3

"Lessons from the Roadless Road- Mongolia 2019" with Arieahn Matamonasa, Ph.D.: In the Summer of 2019, Matamonasa traveled to Mongolia to visit the people of Khuvdgal, the Darkhad Valley and Tsagaan Nuur. These people represent the world’s oldest shamanic traditions that have persisted despite years of persecution and oppression.

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Scholar Salon 2

Scholar Salon 2: “Motherworld” with Kathy Jones, moderated by Joan Cichon, Wednesday, September 25, 2019

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Scholar Salon 1

"Feminism on the Borderlands" with Dr. Monica Mody April 16, 2019 moderated by Gayatri Devi PhD How do we move into the borderlands to reclaim our full relationship with modernity, secularization, and the shadow spaces in our own psyches? How do we relate to the shadow produced by European and western modes of being, thinking …

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La Frontierra Chingada: a film

by Emily Packer, Filmmaker

ASWM Winter Warmers Film Festival 2019
ASWM Biennial Conference Film Series 2018
Synopsis

La Frontierra Chingada is a poetic non-fiction film about motherhood on the US-Mexico border. These figures (mythic and otherwise) manifest themselves at Friendship Park–a space where families on either side of la frontera can come together, but under extreme conditions of surveillance. Guided in part by conversations with the filmmaker’s matrilineal family, this Spanglish film concerns itself with relationships between bodies, space, and the shared land and history in the San Diego-Tijuana region.

Trailer

 

"A huge part of my trepidation in making this film was about not wanting to presume to be able to make a relevant film about the border as an Anglo American filmmaker. But I think it’s incredibly important for white artists to make reflexive work about the border, given that we are implicated in its existence, and that our understanding and perspective shift is necessary to improve the situation (which includes death, dehumanization, and forced separation of family). At some point I gave myself permission to trust that I could make meaningful art about the border, and that the story I had to tell was important." - Emily Packer

Bio

Emily Packer is a non-fiction filmmaker with a focus on women's stories and an interest in Border Culture and Border Theory. Her documentary style ranges from observational to reflexive, experimental, and poetic. Emily graduated from Hampshire College in December of 2015. The following year, she organized the three-day event Arte on the Line in San Diego and Tijuana, where she screened her second feature-length film La Frontierra Chingada. Emily’s first film, Nationless, explored the unique socio-political situation of Tibetan refugees in Nepal. In addition to her independent work, she has consulted and edited for Deliberate Healing Productions and Ashbourne Films. She works as a media manager for Zero Point Zero Productions in New York City, and in her spare time volunteers for Tribeca Film Festival’s programming team. Emily collects voicemails for future use; consider yourself notified.

Scholar Salons with Emily Packer, Filmmaker

For more information on Emily's films visit marginalgapfilms.com . 

Scholar Salon 4

Feb 2020 live online salon with Emily Packer about the film.

Feature Film Screening for Members Only

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2018 “Winter Warmer” Film Screenings

Again this year we are providing the member benefit of special screenings for films by and about women. These films are accessible through the member section of our website. To get the 2018 member access code, join or renew and we will send you the code. To find out more about what we are doing, and to learn more about films we have screened, contact the ASWM film group.

Here are this year’s selections:

The Girl from God’s Country (2014), written and directed by Karen Day

In the 1920s, Nell Shipman was the first female independent film maker to pioneer the nude scene and advocate for animal welfare. Shipman wrote, directed, produced and acted in movies portraying women as self-reliant heroines. This film reveals the forgotten legacy of Shipman and a generation of female silent film pioneers, including rare footage of these women, including minority filmmakers Zora Neale Hurston and Miriam Wong. Geena Davis and women directors discuss gender-inequities Nell and her counterparts faced that perpetuate in today’s film industry.

The Passionate Pursuits of Angela Bowen (2016), a film by Jennifer Abod

For six decades Angela Bowen, classical dancer and teacher, black lesbian feminist activist, and professor has influenced and inspired untold numbers speaking out as strongly for the Arts, Black and Women’s Rights as she has for Lesbian and Gay Rights. The film depicts Bowen’s life across the decades, from the early fifties, with historic footage, photographs and interviews. Bowen’s candid and compelling stories allow us to understand how race, class, gender, age, and sexuality played into her decisions and choices, her mission, and strategies for survival. Passionate Pursuits is intended to challenge and inspire diverse audiences to pursue their own dreams with tenacity and courage, but not for themselves alone.

Let’s Get the Rhythm (2014) a film by Irene Chagall

Music is central to our lives. Mothers soothe their babies with gentle rhythm and melody. Music is one of the oldest arts, a vehicle for learning, present in all cultures. Let’s Get the Rhythm captures girls’ handclapping games from inner city playgrounds and across the world… from every continent… and islands in between. Girls from diverse cultures – from Brooklyn to Tanzania – charm us as they learn and share while expanding their experience. Drawing attention to the social importance of girls’ games, the film features footage from far-flung locations as well as ancient Egyptian reliefs. Let’s Get the Rhythm accentuates the beauty of the beat with compelling observations on the empowering force on the lives of girls, women and humanity.

Once again we will have the films available for a month, until March 7. This year we have adjusted the times of our conference calls to include our friends in the UK. You may see the films at any time, and we hope that you’ll fill out review forms so that we will be able to share comments with the filmmakers.

The call in number is available on the member only page.