ASWM Scholar Salon with Vanessa Johnson: "Telling the stories and legends of African Goddesses rejects patriarchy as the central power of spirituality and shifts traditional male bound forms of spiritual discourse."
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ASWM Scholar Salon with Dr Heide Goettner-Abendroth about her new book which covers recent archaeological finds and scholarship to present a picture of the earliest cultural epochs, which were decisively formed by the inventions of women, by motherhood and maternal values.
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ASWM Scholar Salon with Katie Hoffner remembering the Goddess Icon Banner project of her aunt Lydia Ruyle, whose art created "a new HERstory in a visual way with representations of the Divine Feminine from across the globe."
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“Shapeshifting Lands of Lāhainā, Maui: Mo’o and Moku’ula” with Mahealani Ahia RESCHEDULED: Thursday, November 30, 2023 at 3 PM Eastern Time We are pleased to be able to offer this Salon again following technical failures during the original event.
Following the devastating fires on August 8, 2023, in Lāhainā, Maui, there has been a call for a restoration of the sacred lands of Mokuʻula, once the seat of Hawaiian government and home to the great akua moʻo (reptilian water deity) Kihawahine. In this kairotic moment, my dissertation research entitled “Shapeshifting Hawaiian Biography: The Life and Afterlives of Kihawahine” intends to share a longer and richer story than tourist and colonial myths have perpetuated of this famous site. My project is an Indigenous Hawaiian biography centering Kihawahine —daughter of 16th century Maui high chief Piʻilani— who was ritually deified into a guardian akua moʻo and later elevated to island-wide worship under Kamehameha. Shapeshifting moʻo are kiaʻi wai, the most revered and feared water protectors. The study of Kihawahine’s life, afterlife, and multiple body forms—giant lizard, white dog, spider—invites deep examination of Hawaiian history, religion, politics, culture, art, and language.
By historicizing various re-tellings and interpretations of her story across time and region, I map the meanings and intentions behind keeping her image alive for each successive generation. The story of Kihawahine is found in many sources including Hawaiian-language newspapers, missionary journals, ship logs, archaeological reports, oli (chant) and hula (dance). Her kiʻi (ritually carved wooden image) is currently sailing around the world aboard the Hōkūleʻa voyaging canoe. Unfortunately, another kiʻi sits behind glass in the Berlin Ethnological Museum. By sharing these stories, Kānaka ʻŌiwi hope our voices will aid in the repatriation of our ancestral kiʻi, restoration of sacred Mokuʻula, and return of our life-giving waters.
Māhealani Ahia is a Los Angeles-born Kanaka ʻŌiwi artist, scholar, activist, songcatcher and storykeeper with lineal ties to Lāhainā, Maui. With a background in theatre arts, writing and performance from U.C. Berkeley and U.C. Irvine, Māhea is committed to creating artistic and academic projects that empower Indigenous feminist decolonial research. Her Master’s Degree in Mythology and Psychology from Pacifica Graduate Institute focused on cultural trauma and the power of stories and chanting to heal. As a PhD candidate in English (Hawaiian Literature) and a graduate certificate student in Women, Gender and Sexuality Studies at the University of Hawaiʻi at Mānoa, her dissertation research “Shapeshifting Hawaiian Biography: The Life and Afterlives of Kihawahine” inundates biography’s genre boundaries as it theorizes feminist power and leadership within the moʻo (reptilian water deity) clan. Māhea teaches courses like Indigenous Feminisms, Island Feminisms, Creative Writing for Healing. She serves as editor for Hawaiʻi Review and ʻŌiwi: A Native Hawaiian Journal and is co-organizer of the Mauna Kea Syllabus Project.
Dr. Kaarina Kailo compares variants of the story of the Woman Who Married a Bear to show clearly how the attitude towards mother and bear worship has changed in the shift from pre-christian to Christian and patriarchal cultures.
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