2025 Keynote: “On Holy Ground”

“On Holy Ground: Commitment and Devotion to Sacred Land”

With Yeye Luisah Teish and Kahuna Leilani Birely

ASWM Conference ~ March 27-29, 2025

 

The Black Oshun by Luisah Teish

Join us for a discussion regarding Land, Sacred Sites, and our Responsibility to Land and Life. In this presentation the audience is invited to experience the magic inherent in the mythology of Hawaiian and African diasporic culture. We will discuss the Oath to Mother Earth and how we can become more respectful and devoted to the land and Her people. Here, the audience will meet such figures as Yemaya, the Goddess of the Sea, and Earth Mother Papa-Haumea. They are among the many spirits that inhabit the Natural world. Kahuna Leilani and Yeye Teish will share the stories of their childhoods, families, and communities and demonstrate how myths and storytelling shaped their character and guided their lives.

The history of the colonial period, which sought to demonize, exoticize, and disempower these cultures is examined briefly. We will share the concept of Conquistadors on Tour and how not to continue the devastation of colonialism through modern day travel. We will learn how the myths and stories inspired resilience in the people.

 We will also honor the ancestors whose dedication and persistence preserved the myths and enabled us to inherit their wisdom. We will share guidelines for reclaiming the primal messages in the myths, reinterpreting their meaning, and applying them to today’s Concerns. Both Yeye Teish and Kahuna Leilani grew up within spiritual cultures that survived centuries of oppression while maintaining reverence for and centering the sacredness of Land within  their cosmology and rituals. They will share their wisdom around healing our relationship to Sacred Land and each other in these times of ecological crisis and the clear  manifestation and impact of the disregard for Earth, her gifts, and her children.

Yeye Luisah Teish

Chief Iyanifa Fajembola Fatunmise also known as Yeye Luisah Teish is a writer, performance artist and Yoruba priestess. An American author of African and African-diaspora spiritual cultures, also is an affluent ritualist, keynote speaker, and spiritual advisor on a global scale. Primarily known for Jambalaya: The Natural Woman’s Book of Personal Charms and Practical Rituals, a women’s spirituality classic that has been translated into German, Spanish, and Dutch. She has co-authored has co-authored On Holy Ground: Commitment and Devotion to Sacred Lands with Leilani Birely. She has contributed to 40 anthologies, and her essays, artwork and poetry appear in such publications as Essence, Ms, and Coreopsis: Journal of Myth and Theater. As an Oshun priestess (Yoruba Goddess of Love and Sensuality), Yeye continues to officiate over spiritual retreats, rituals, and workshops that span over forty years since her introduction into the Ifa spiritual practice.  Teish has said, “My tradition is very celebratory – there’s always music, dance, song, and food in our services – as well as a sense of reverence for the children. It’s joyful as well as meditative.”

Kahuna Leilani Birely

Leilani Birely is a Native Hawaiian Kahuna and Dianic High Priestess who brings ancient Hawaiian healing and Goddess wisdom to the community. Kahuna Leilani brings forth teachings of the Aloha Spirit through Hula, Ceremony, Performance, Writing and Ritual. She is the founder/ritual director of Daughters of the Goddess Women’s Temple in the San Francisco Bay Area an international community of women dedicated to She of 10,000 names and Multicultural Women’s Mysteries. She has her Master’s in Women’s Spirituality from New College of San Francisco.  She has lectured at the Institute of Transpersonal Psychology, Dominican University and the California Institute of Integral Studies. Leilani has co-authored the book, On Holy Ground: Commitment and Devotion to Sacred Lands with Luisah Teish. She is included in anthologies Shades of Faith: Minority Voices in Paganism and Stepping into Ourselves: An Anthology of Writings on Priestesses.

 Leilani gives thanks and honor to her teachers: Yeye Luisah Teish, Iyanifa Yoruban Chiefess and author of Jambalaya; Kahuna Auntie Pahia; Vicki Noble, author and co-creator of the Motherpeace Tarot; and Kumu Hula Patrick Makuakane and Mahea Uchiyama, and Uncle Butch of Ka’ala Farms, O’ahu.

Announcing Scholar Salon 77: Register for October 10

“Exploring Matriarchal Societies: Encounters and Insights from Around the World”

with Maria Haas

Thursday,  October 10, 2024 at 12 NOON Eastern Time  

REGISTER HERE

Matriarchs by Maria Haas

In her lecture, “Exploring Matriarchal Societies: Encounters and Insights from Around the World,” Maria Haas takes the audience on a captivating journey through the matriarchal cultures she has visited and documented. She shares her personal experiences and encounters with the Minangkabau in Indonesia, the Khasi in India, the Mosuo in China, and other matriarchal societies.

Maria Haas highlights the similarities and diffrences between these cultures, drawing out the unique characteristics of each society. She delves into the key parameters that define matriarchal cultures, from social organization and the role of women to cultural and spiritual aspects. The lecture offers a unique insight into the diversity and distinctive structures of these extraordinary communities.

Maria Haas

Maria Haas is a renowned photographer based in Klosterneuburg near Vienna, Austria. After graduating from the College of Photography at the Higher Graphic Teaching and Research Institute in Vienna in 1990, she founded her own photography studio, initially focusing on travel and reportage photography. In 1996, her work took her to New York, where she attended workshops at the International Center of Photography and exhibited her works in cities such as New York, Vienna, Florence, and Tampere. Over the years, Maria Haas’ interest shifted towards documenting societies that do not conform to Western norms, with a particular fascination for matriarchal cultures. She has studied and photographed these unique societies across the globe, producing acclaimed photo books like MATRIARCHS (2020) and MATRIARCHS 2 (2022), which explore the roles and significance of women in these communities. Her recent projects include documenting women affected by female genital mutilation (FGM) in Kenya and photographing shamans in Peru.

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Save the Dates for future Salons:

 Thursday, October 24, 2024 at 3 PM Eastern Time (Rescheduled) 

Feasting on a Hekate Supper at the Crossroads” with Kay Turner

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Thursday, November 7, 2024 at 12 NOON Eastern Time

“Healing Goddesses of Greece” with Eftyhia Leontidou

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Thursday, November 21, 2024 at 3 PM Eastern Time

“Truth, Lies and Possibilities: Writing about Buddha’s Wife” with Barbara McHugh

Benefit of Membership - ASWM

This Salon recording will also be available to members when processed after the event. 

 

Announcing Scholar Salon 76: Register for September 26

“Feasting on a Hekate Supper at the Crossroads”

with Dr. Kay Turner

Thursday,  September 26, 2024 at 3 pm Eastern Time  

REGISTER HERE

Persephone, Hermes, Hekate and Demeter

Hekate has often been called the Goddess of Witches. She was and is that, but also so much more. In ancient Greece her worship took place in temples and also at crossroads shrines dedicated to her where devotees gathered to feast and make petitions for her intercession. I propose a Hekate Supper!  Join me to feast on knowing the many facets of Hekate through her lineage, her epithets, her invocations, her rites, her symbols, her realms, and her alliances. I highlight Hekate’s recognition and repair of brokenness as seen in her role in the myth of Demeter’s separation from Persephone. Hekate heard the cries of Persephone and lighted the way to her recovery.

To repair brokenness is her moral charge. She urges commingling, links worlds together, threads connections. A goddess sought after to repair brokenness, her work was made most potent through her union of the living and the dead. My lecture works with materials from primary sources such as Hesiod’s Theogony and The Chaldean Oracles, and from the interpretive work of Hekate scholars such as Sarah Iles Johnston and Froma Zeitlin. Participants in the meeting will also join me in a bit of invocation.

 

Ninnion Tablet, Eleusis, GR

I wrote this evocation in 2022 to recite at the ruins of Hekate’s temple at Eleusis, outside Athens, the site of the Great and Lesser annual rites of Demeter and Persephone. I will touch on a number of the themes presented here:

Hekate: Invocation by Kay Turner

Eleusis: the place of Happy Arrival

Completion brings return

Pomegranates buried in the depths of death

unearthed:

If all we know is this cycle,

It is enough.

 

Hekate of earth, air, water, and fire,

Light our way with your double torches,

Open the gates with your keys,

Accept our offerings,

Brought to Trivium.

 

Lead us down the third road

To epiphany,

Greeted by “the grinning one.”

Mother Demeter, Daughter Persephone

Hekate Escort,

Take us with you.

Kay Turner photo by Ishwari Keller

Kay Turner is an artist and scholar working across disciplines including performance, writing, music, and folklore. Since 2012 her performance works and writing have revolved around an exploration of the witch figure in folklore and history. She has worked with artist Elizabeth Insogna on several projects exploring the Greek goddess Hekate including “Healing Persephone Wounds” and “A Hekate Supper,” Parts 1 and 2.  Kay is the founding editor of Lady-Unique-Inclination-of-the-Night, a journal of art and the goddess published from 1976-1983. Her books include What a Witch: Before and After (with Zini Lardieri,), Transgressive Tales: Queering the Grimms (with Pauline Greenhill), and Beautiful Necessity: The Art and Meaning of Women’s Altars. She taught for 20 years in the Performance Studies Department at NYU and is a past president of the American Folklore Society.

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Save the Dates for future Salons:

Thursday, October 10, 2024 at 12 NOON Eastern Time

“Exploring Matriarchal Societies:  Encounters and Insights from Around the World,” with Maria Haas 

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Thursday, October 24, 2024 at 3:00 PM Eastern Time

“Becoming a Good Relative: Calling White Settlers toward Truth, Healing, and Repair” with Hilary Giovale

 

Benefit of Membership - ASWM

This Salon recording will also be available to members when processed after the event. 

 

2025 Kore Award Announcement and Application

Kore Award for Best Dissertation in Women and Mythology 2025

Euthydikos-Kore


The Kore Award for Best Dissertation in Women and Mythology is conferred by the Association for the Study of Women and Mythology. The award, established in 2009, is funded by the gift of a generous contributor and carries a $500 prize.  The intention behind its founding is to create awareness of excellence in Women and Mythology, and to provide an organizational framework for supporting graduate students in their work.  The award is presented at the biennial international conference, for dissertations completed and defended in 2022- 2024.  Defense must be completed by December 31, 2024.

Applicants can be from any discipline, including but not limited to literature, religious studies, art or art history, classics, anthropology, and communications. Creative dissertations must include significant analysis of mythology in addition to creative work.  Applicants must be members of ASWM at time of submission.

Past winners of this award include Dr. Dawn Work-MaKinne (2010), Deity in Sisterhood: The Collective Female Sacred in Germanic Europe, Dr. Shannan Palma (2012), Tales as Old as Time: Myth, Gender and the Fairy Tale in Popular Culture, Dr. Mary Beth Moser (2014), The Everyday Spirituality of Women in the Italian Alps, Dr. Annette Williams (2016), Our Mysterious Mothers: The Primordial Feminine Power of Àjê in the Cosmology, Mythology, and Historical Reality of the West African Yoruba, and Dr. April Heaslip (2018), Regenerating Magdalene: Psyche’s Quest for the Archetypal Bride, and Dr. Monica Mody, (2020), Claiming Voice, Vitality, and Authority in Post-Secular South Asian Borderlands.

See these winning dissertations here.

Applicants must be members of ASWM upon submission of entry.  A letter of support from the dissertation chair/director must accompany the application.  Applicants will be urged to also propose a paper for the national conference, and to appear at and present work at the national conference, if they receive the award.  Conference fees will be waived and housing and meals will be covered by ASWM for the winner.

Schedule for 2025 award:

  • Dissertations completed and defended in 2022-2024
  • Application window: Sept. 16, 2024-January 17, 2025
  • Deadline for completion and defense: December 31, 2024
  • Announcement of award winner: February 14, 2025
  • Awarded at conference Saturday March 29, 2025 , Tucson AZ

Application for Kore Award for Best Dissertation in Women and Mythology

Name:

 Mailing address:

 Email:

 Field of Study:

 Title of Dissertation: 

Date of defense:

Institution degree granted by:

Dissertation advisor’s name:

Dissertation abstract:

 Please submit this form via email to awards@womenandmyth.org, with PDF (preferred) or MSWord attachment of dissertation.  Please have your dissertation director email a letter of support, also in PDF or MSWord, to the same address.

Announcing the 2025 Sarasvati Award for Best Nonfiction Book

The Sarasvati Book Award solicits scholarly nonfiction books published during 2022-2024 in the fields of goddess studies/women and mythology. Named for the Hindu goddess of learning and the creative arts, the award is given by the Association for the Study of Women and Mythology to honor outstanding scholarship and presentation. The award will be presented during ASWM’s 2025 conference in Tucson Arizona.

Submissions and book copies must be received by the Awards Committee no later than February 1, 2025. Books must be published in print, rather than only in e-book format. If submitting between January 10 to February 1, publisher may send digital copy of book.  Nominations must come directly from the publisher; authors should contact their publishers to ask them to submit a work for this award. Each publisher may nominate one work published in 2022-2024. Anthologies and self-published books are not eligible for this award.

 Publisher’s submission form: Sarasvati Submission Form (2024)

Publishers may contact submissions@womenandmyth.org .

Previous winners of the Sarasvati Award for Nonfiction:

  • 2022: Eruptions of Inanna:  Justice, Gender, and Erotic Power by Judy Grahn (Nightboat Books)
  • 2018: Sheela na gig: The Dark Goddess of Sacred Power by Starr Goode (Inner Traditions)
  • 2016: The Amazons: Lives and Legends of Warrior Women across the Ancient World by Adrienne Mayor (Princeton)
  • 2014: The Dancing Goddesses: Folklore, Archaeology and the Origins of European Dance by Elizabeth Wayland Barber (Norton)
  • 2012: Sacred Display: Divine and Magical Female Figures of Eurasia by Miriam Robbins Dexter and Victor Mair (Cambria Press)