Announcing Scholar Salon 29: Register for Sept 9

Taino Goddesses of the Caribbean”

with Marianela Medrano

Thursday, September 9, 2021 at 3 pm Eastern Daylight Time 

REGISTER HERE

Atabey, principio femenino del mundo

This salon will focus on the Taino cosmogony and the salient impact of the Goddess as embodied by five deities: The Great Mother Atabey, Guabancex, Mama Jicotea, or Caguama, Itiba Cahubaba, and Guabonito. The divine feminine had a significant role in forming the sense of self of our indigenous and contemporary people of the Caribbean. We’ll discuss why it is essential to move from the fragmentation brought by colonization and return to the wholeness of our ancestral lineage. We’ll focus on the difference between collective and individualistic mindset and the impact of each on the growth and development of people.

Marianela Medrano

Marianela Medrano was born and raised in the Dominican Republic and has lived in Connecticut since 1990. A poet and a writer of nonfiction and fiction, she holds a Ph.D. in psychology. Her first two collections of poems were published in the Dominican Republic. Her poetry has been recognized for its capacity to build daring images redefining womanhood. She has published six poetry books, a children’s story, and numerous essays. Marianela  lectures throughout the world on spirituality and the divine feminine among the Taino
people of the Caribbean.

Marianela’s work is featured in “An Exaltation of Goddesses,” a poetry performance created for ASWM’s 2021 online Symposium, “Wisdom Across the Ages,” by the Poetry Witch Community.  Her 2015 TED Talk, “A Ciguapa Speaks:  On How I Came to Value Wholeness,” was presented at St. Ursuline College.

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Save the dates for upcoming ASWM Salons:

September 23, 2021 at 3pm Eastern Daylight Time
” Yarb Women: Traditional Female Healers of Appalachia”
Byron Ballard

October 7 at NOON Eastern Daylight Time
“Sacred Sites of Cornwall”
Cheryl Straffon

October 21 at 3pm Eastern Daylight Time
“Sacred Instructions”
Sherri Mitchell

November 11 at NOON Eastern Standard Time
“The Old European Roots of Women’s Circle Dance”
Laura Shannon

Benefit of Membership - ASWM

The Salon recording will also be available to members after the event. 

The Sarasvati Nonfiction Book Award Application

Sarasvati Nonfiction Book Award submissions deadline has been extended:  Dec. 31 2021

Sarasvati by Raja Ravi Varma

The Sarasvati Nonfiction Book Award solicits nonfiction books published in English during 2019-21 in the field of women and mythology. Named for the Hindu goddess of learning and the creative arts, the Sarasvati Award from the Association for the Study of Women and Mythology (ASWM) honors scholarly work in the fields of goddess studies and women and mythology. Anthologies and self-published books are not eligible for consideration. Applications must be submitted by publisher and must be received by the ASWM Sarasvati Award Committee no later than December 31, 2021.  The award will be presented during ASWM’s next biennial conference.

Publishers Submission Form:  2021 Sarasvati Submission Form

Previous winners of the Sarasvati Award for Nonfiction:

2018: Sheela na gig: The Dark Goddess of Sacred Power by Starr Goode (Inner Traditions)

2016: The Amazons: Lives and Legends of Warrior Women across the Ancient World by Adrienne Mayor (Princeton)

2014: The Dancing Goddesses: Folklore, Archaeology and the Origins of European Dance by Elizabeth Wayland Barber (Norton)

2012: Sacred Display: Divine and Magical Female Figures of Eurasia by Miriam Robbins Dexter and Victor Mair (Cambria Press)

For questions please contact the Awards Committee

Donna Read’s Life at the Moment

Recently we invited our advisory board members to tell us what is on their minds these days, to share their current projects, milestones, and emerging collaborations.  Donna’s report is the fifth in this series. 

Donna Read portrait

Donna Read’s Life At The Moment. – May 15, 2021.  I turned 80 in 2018 and I found myself surprised I was still making movies and enjoying my work: I had imagined  by this time, I would be ‘retired’.  I was working with a group of architects and social designers who were interested in slum rehabilitation.  Their first selected project was a small slum in India about 400miles north of Mumbai.  The idea was to document the process, get to know the people involved and to follow up on their life after the project was built.  

“Signs Out of Time” by Starhawk and Donna Read

In November, 2019, I was there for the last shoot we would do before the building was completed, when I fell and broke my hip.  

This was the beginning of a major change in my life and eventually opened the path to my retirement.  I got home to Montreal in time for my 81st birthday with three pins holding my hip together and an x-ray showing a growth in my bladder.  

I had the growth removed in March 2020, it was non-replicable cancer, and the day I left hospital, Montreal went into quarantine for the Covid-19 virus.  I had expected to get back to work, because after all, I work from home when I edit, but Covid changed everything including the situation in India, and my own priorities.  

Over the next few months, due to the virus and extreme monsoons building progress on our project in India virtually came to a stop.  There was a change in the office personnel, a filmmaker from India was hired, trips back to India were cancelled and I found myself wondering where I could fit into a project so far away in distance, culture and completion.

As the months unfolded,  I was concerned I could not contribute in the way my heart was telling me to.  I had felt part of a global story when I started the movie but with Covid I was feeling that vision had to include the political as I watched with horror what was unfolding in India, a departure from the original intention of our movie and something I knew I could not do from Canada.  More I felt my true purpose was to do the work from where I was, to tell stories I know and understood.      

In March 2021, I fell and broke my other hip and it put me where find myself now.  I have been in hospital for two months…surgery on my broken hip and a hip replacement on the hip I broke in India. Contemplating my future from a hospital room certainly put things into perspective. 

I am very aware of Time. And in truth, I no longer want to spend any more time making films as they are Times black hole. I am however drawn toward serving those who come into my orbit with a particular need; I am willing to advise and to serve those needs but  not to be responsible for the outcome. 

I have a big family 5 children, 5 grandchildren and 2 great-grandchildren.  I want to spend time with them not the computer screen.  To satisfy my creative urges, I have hours of family videos and photos I want to put together.  And of course I have friends I want to visit, places I still want to see.  

I feel free at the moment, open to serving the life around me best I can.  I know that purpose will make itself known to me as I progress down the retirement path and I open myself to the mystery, like it always has.    

Labyrinth, Tintagel, Cornwall

2021 Program: Keynote by Harald Haarmann

“Marija Gimbutas’ ‘Collision of Cultures’:

the Kurgan Invasions and the End of Old Europe”

Dr. Harald Haarmann and Joan Marler

In this session, Dr. Harald Haarmann and Joan Marler discuss the
significance of the civilization of Old Europe that sustained
peaceful, egalitarian, matristic societies throughout southeastern
and central Europe for three millennia (c. 6500-3500 BCE).  The
arrival of nomadic herders from the Pontic-Caspian steppes created a
“collision of cultures” that caused the destruction of Old Europe,
the spread of patriarchal systems, male dominance, and warfare that
have continued to the present day. The subsequent development of
European societies cannot be fully understood without recognizing the impact of this collision in which certain Old European patterns have remarkably endured.

Dr. Harald Haarmann

Dr. Harald Haarmann is a German linguist and cultural scientist who taught and conducted research at a number of German and Japanese universities, and is a member of the Research Centre on Multilingualism in Brussels. He is also Vice-President of the Institute of Archaeomythology, and director of its European branch. Haarmann is the author of more than 40 books in eight languages. His studies on the influence of Old Europen cultures include Myth as source of knowledge in early western thought (2015); Roots of ancient Greek civilization: The influence of Old Europe (2014); Interacting with figurines: Seven dimensions in the study of imagery (2009); and (with Joan Marler) Introducing the Mythological Crescent. Ancient beliefs and imagery connecting Eurasia with Anatolia (2008).

Registration for symposium recordings is now available to the public! Register here.  

To give you plenty of time to view the program at leisure, all sessions will remain available, to those who register, until the end of July 2022.

2021 Program: Lithuanian Performers Celebrate with Us

Performances of Dance, Opera, and Contemporary Song

Our 2021 program is enhanced by the inclusion of performances by  accomplished musicians and composers. We especially want to highlight samples of Lithuanian traditional culture and contemporary performance, of which Marija Gimbutas was justifiably proud. These performances are included during interludes between sessions, and are also available to view at any time in our “On Demand” page which is open to the public.

 Our dancers are from the renowned Lithuanian Folk Dance group “Suktinis.” The director of the group is Giedrė Knieža. The group is the most popular Lithuanian folk dance group in United States, having participated in Chicago’s Thanksgiving Day parade live stage performance twice. Suktinis dancers have been representing Lithuanian culture at Science and Industry Museum events (Chicago, IL) for the last 15 years, among many other performances. We offer you their performance of “Malūnas” (windmill). It was performed at Lithuanian Folk Dance Festival XV in Baltimore.

Giedrė says of this dance, “It is amazing how all the folk dance groups come to the festival and make such a beautiful event in only two days of practice. This time there were around eight hundred dancers performing this dance. “Malūnas” symbolizes change of seasons and never-ending work in the fields in order to get bread on your family’s table. Times were hard for Lithuanians, but they found ways to enjoy and celebrate life with the help of songs and dances.”

Nida Grigalaviciute

We are pleased to include songs from internationally known Lithuanian soloist Nida Grigalaviciute, who currently resides in Chicago. Nida has performed in opera houses across Europe, Israel, and the United States. The songs are from the musical “Šnekučiai.” The first song “Tūkstančiai darbelių” tells how women have lots of jobs around the house since early morning. Women in Lithuania have been singing while working in fields, cooking, working around the house, singing with kids and for kids, as well as wedding celebrations, and so forth. The second song is called “Jau seniai šviesele” – a mother wakes up her kids since the sun has been up for quite some while. Women in Lithuania used to get up with the sun, with the songs of the birds. And again, they would wake up really early since there was always lots of work around the house and in the fields. 

 

Agne G

Agne G is a nineteen-year-old award-winning classical artist who has won multiple international performance awards, performed across the United States and Europe, appeared on television, and graced the stage of Carnegie Hall. Agne has won multiple performance awards including “The Baltic Voice” – Lithuania, “Music for Kids” – Romania, as well as “American Protégé” international competition. She has recorded 3 albums to date. Her 2018 release of “A Merry Christmas from the Heart,” produced and arranged by Kc Daugirdas, earned her the Indie Music Channel’s Awards for “Best Teen Artist” and the “Best New Teen Artist of the Year.”

Our thanks to the Lithuanian Foundation for support and to their Director of Cultural Affairs, Giedrė Knieža, for sharing these performances with us for our Symposium.

Registration for this event is now closed.