Mary Kelly Works
Mary Kelly – Goddess Women Cloth
PDF version: Author and artist Mary B. Kelly shares her love of textiles in Goddess Women Cloth: A Worldwide Tradition of Making and Using Ritual Textiles. Across the world, textiles often display strong, colorful symbols and images of female deities. Made primarily made by women, they were intended for protection and to encourage fertility in …
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Mary Kelly – Goddess Embroderies Of The Northlands
PDF version: Goddesses of the Northlands is authored by artist and professor, Mary B. Kelly. Professor Kelly spent more than 20 years researching goddess figures on Eastern European textiles. This final volume in the Goddess Embroideries trilogy presents the story of change and migration in the countries bordering the Arctic Circle. Folk beliefs and the symbols …
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Mary Kelly – Goddess Embroideries Of The Balkan Lands And The Greek Islands
PDF version: Linked by the Black and Aegean seas, the lands of Ukraine, Romania, Bulgaria and Greece are also united by their strong ritual embroidery traditions. In a similar format to her earlier book, Goddess Embroideries of Eastern Europe, the author recounts Bulgarian women’s folk rituals and links them to goddess motifs on their textiles. She …
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Mary Kelly – Embroidering The Goddesses Of Old Norway
PDF: A handbook of patterns and commentary on their history and usage, this booklet contains charts planned primarily for needleworkers. Its focus is the figure of the Mother Goddess, whose image appears from ancient times on ritual cloths and costumes of many lands. This book introduces the little known high-seat ceremonial hangings of Telmark, Norway. …
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Mary Kelly – Goddess Embroideries Of Eastern Europe
PDF version: Remnants of ancient goddess beliefs were very much a part of nineteenth century Eastern European folk culture. Even up until the twentieth century, Eastern European women supervised rituals in honor of the goddess (see cover for a recreation of one such ritual), and carefully embroidered her image on their ritual cloths and clothing. …
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Mary Kelly – Making And Using Ritual Cloths
PDF version: For more than 25 years artist and professor of art Mary B. Kelly has researched both Christian and pre-Christian motifs on the embroidered and woven ritual cloths of Eastern Europe. Kelly is a weaver and spinner as well as a fine artist. In this book, you will learn to create important textiles: banners, …
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Kore: ASWM’s Award Winning Dissertations

The Kore Award for Best Dissertation in Women and Mythology is conferred by the Association for the Study of Women and Mythology. The award, established in 2009, is funded by the gift of a generous contributor. The intention behind its founding is to create awareness of excellence in Women and Mythology, and to provide an organizational framework for supporting graduate students in their work. The award is presented at our biennial international conference.
We are proud to provide access to this groundbreaking scholarship!

Dr. Dawn Work-MaKinne (2010), “Deity in Sisterhood: The Collective Female Sacred in Germanic Europe” Work-MaKinne Dissertation
Dr. Shannan Palma (2012), “Tales as Old as Time: Myth, Gender and the Fairy Tale in Popular Culture” Palma dissertation
Dr. Mary Beth Moser (2014), “The Everyday Spirituality of Women in the Italian Alps: A Trentino American Woman’s Search for Spiritual Agency, Folk Wisdom, and Ancestral Values” Moser dissertation
Dr. Annette Williams (2016), “Our Mysterious Mothers: The Primordial Feminine Power of Àjê in the Cosmology, Mythology, and Historical Reality of the West African Yoruba” Williams dissertation
Dr. April Heaslip (2018), “Regenerating Magdalene: Psyche’s Quest for the Archetypal Bride” Heaslip dissertation
Dr. Monica Mody (2020) “Claiming Voice, Vitality, and Authority in Post-Secular South Asian Borderlands”
Shipwrecks, Citizen Science and Archaeomythology

Scholar Salon #56 is a special presentation by María Suárez Toro to discuss her underwater archaeology program in Costa Rica and to celebrate the birth of a new collaborative project. She has invited two partners to discuss this exciting interdisciplinary effort to combine principles of archaeomythology with the investigation of shipwrecks–and identity– in Costa Rica and in South Africa. To our knowledge, this is the first time that these concepts of archaeomythology have been applied to a myth-making program of citizen science like Maria’s underwater archaeology work with young adults.

María Suárez Toro (Puerto Rican and Costa Rican), “feminist, teacher, activist, writer, fisherwoman and scuba diver,” is the co-founder of Ambassadors of the Sea in Costa Rica’s Caribbean. As research coordinator of its community underwater archaeology program, she works with young people searching for identity in a project stewarded by citizen scientists, through their exploration of sunken slave ships. The project researchers are Afro and native youth, the direct inheritors of the legacies of untold stories of their coastal communities. Maria has created a literary and mythic ancestral Yoruba character, Tona Ina, “sea light” in Yoruba. Tona Ina is the storyteller who recovers the cultural stories and the mythologies found in the wrecks being researched.

Joan Marler is the executive director of the Institute of Archaeomythology who earned her doctorate in Philosophy and Religion and Women’s Spirituality at the California Institute of Integral Studies in San Francisco. She is the editor of The Civilization of the Goddess by Marija Gimbutas and the Journal of Archaeomythology, among other publications, and has authored numerous articles on archaeomythological themes. Her collaboration with María Suárez Toro applies the interdisciplinary nature of archaeomythology to include the multi-generational underwater excavations of possible slave ships discovered off the coast of Costa Rica, linking scientific studies of ongoing archaeological discoveries with the deep memories of afro-descendent communities residing along the coast.

Aaniyah Martin is a South African graduate student in the caring of the hydrocommons and marine environment in post apartheid South Africa, addressing the injustices of apartheid legacy and co-creating care for the hydrocommons. “It is now 30 years after democracy in South Africa, yet the history and legacy of apartheid continues and has an effect on Black and Indigenous People of Colour (BIPOC) by excluding them from the ocean and other spaces. Her ancestors were brought to the Cape as slaves from Indonesia in the late 1600s. Her walking and swimming takes place along the False Bay coastline of Cape Town, which is the city where she was born. The False Bay coastline is “laden with stories, both shared and erased,” and Aaniyah’s research focuses on re-telling and re-mapping stories that have been forgotten.” Her study is also being informed by a recent visit to Costa Rica’s Southern Caribbean where she met María Suárez Toro and Tona Ina in the “diving with a purpose” youth project where she learned a Caribbean pedagogy about connecting ancestry to present day search and research about sunken ships of the Transatlantic Slave Trade.

Scholar Salons are a member benefit of ASWM. Save this date for the next ASWM Salon:
Salon 57 : September 7, 2023, 6 PM Eastern Time
“A PaGaian Cosmology: Celebrating Goddess and Cosmogenesis” with Dr. Glenys Livingstone
Upcoming Salons are at 3pm Eastern Time, on September 21 (Hawaiian mythology) , October 5 (Artemis), October 19 ( Wheel of the Year), November 2 (Kurdish Shahmaran) & 16 (Legacy of Lydia Ruyle).


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