“In the Name of the Goddess: A Biophilic Ethic”

with Dr. Donna Giancola

Thursday,  April 18, 2024 at 3pm Eastern Time  

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This work focuses on the emergence of our ancient mythical conceptions of justice as alive and biophilic. By definition, biophilia means the love of life, but do we love life enough to save it?

Utilizing ancient goddess myths as a philosophical basis of justice as the force of Nature, I propose a biophilic ethic that envisions a holistic ethics of interconnectedness, ecological sustainability, and elemental justice. Beginning with a cross cultural examination of ancient goddess myths and stories establishes our earliest conceptions of justice as a living dynamic portraying a cosmological and ecological balance. Quintessentially, such conceptions of justice as preserved and illustrated in ancient goddess myths reflect/demand a living ethos which stands in sharp contrast to our present patriarchal conceptions, practices, and international policies. Patriarchal ethical theories and practices fail to recognize that the ground on which we stand is a living web of relationships.

A biophilic ethic goes beyond traditional ethical theories by incorporating a a perspective of inter-connectedness and co-dependency with Nature.  By invoking the mythical notion of justice, it becomes embodied, and personal, reflecting a subtle shift of consciousness. A significant sense of connection, interdependence and responsibility to the earth arises out our ancient goddess myths and practices, and challenges us to revolutionize ourselves. These mythical conceptions of justice stand as a reminder that Nature is the inventor, and she holds all the pattens and power over, life, death, and ecological growth.

Dr. Donna M. Giancola is an associate professor of Philosophy and director of Religious Studies at Suffolk University in Boston. Her latest book, In the Name of the Goddess: A Biophilic Ethic, is an ecofeminist call for conscious action and revolutionary thinking. She has written numerous articles on comparative religion and philosophy, feminism and eco-feminism, and has lectured extensively in national and international forums from Boston and Hawaii to Oxford, England New Delhi, India, and Bangkok, Thailand. She has also co-authored, a philosophy textbook, World Ethics, (Wadsworth) and an eco-feminist novel, Her Underground, (Solstice Publishers). Currently, she divides her time between teaching Philosophy in Boston and conjuring and writing in St. Augustine Beach FL.

(In spite of her sunny disposition and attempts at being inspirational, she has been known to have an irreverent word or two to say. Lately, she has gotten her days and nights confused, insists that there is no path to hell, and that the Earth is already in Heaven. Her old English sheepdog is strangely happy. Other projects she is crafting include in a Goddess Ritual book, and a new novel.)

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Thanks to artist Lauren Raine for permission to include Pachamama in our announcement! See more of her work at Masks of the Goddess.

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Save these dates for this upcoming ASWM Salon:

May2 , 2024 at 3pm Eastern Daylight Time:

with Sherri Mitchell, “Moving from Lateral Oppression to a Culture of Kindness”

May 30, 2024 at 3pm Eastern Daylight Time

with Guadalupe Urbina, singer-songwriter/poet/artist/activist

This Salon recording will also be available to members when processed after the event. 

 

“Women Making History: The Revolutionary Feminist Postcard Art of Helaine Victoria Press”

with Jocelyn Cohen and Julia Allen

Thursday,  March 21, 2024 at 3pm Eastern Time  

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In 1973, Jocelyn Helaine Cohen and Nancy Victoria Poore established Helaine Victoria Press to publish women’s history postcards. Spurred by the energy of the second wave feminist movement, they learned how to research histories buried in old books and archives and how to print on a vintage letterpress. “The beginning of HV Press in 1973 and the end of the press in 1990 brackets a kind of extraordinary, exuberant women’s revolution both within the academy as well as throughout aspects of life in the Western world.” (Prof. Susan Gubar, author, Madwoman in the Attic).

Jocelyn Cohen and Julia Allen discuss how such a venture began, including the challenges of becoming independent scholars, offset and letterpress printers and publishers. They show how, by creating postcards, Helaine Victoria Press did more than provide a convenient writing surface; instead, they explain, the press aimed to generate feminist memory. The multimodal cards, like the movement from which they emanated, were dynamic and participatory. This salon captures the story of how HV Press  used an ephemeral popular art form to ignite interest in women’s history told within a feminist construct of feminist memory.

Julia and Jocelyn’s book, Women Making History: The Revolutionary Feminist Postcard Art of Helaine Victoria Press (2023), is the first book to demonstrate the relationships between the feminist art movement, the women in print movement, and the scholars studying women’s history.  It is available from Lever Press, which is funded by a consortium of small liberal arts colleges, and dedicated to the principle of open access, but also offers print editions of their books.  Read it and see many archived images here.

Jocelyn H. Cohen – fine artist, letterpress printer, author, designer, art director, arborist and aesthetic Pruner is principal at Poetree Landscapes & Arboriculture.  Her self-published previous books are, The Spirit & Craft of Chinese Ritual Papers, a hand made art book held in several collections including The British Museum and Harvard-Yenching Library and editor Let’s Get Rolling: Simplified Vegetarian Cookery in a Simplified Kitchen by Alma Hecht. Jocelyn’s large oil paintings can be viewed at Indiana University, Kokomo in the Administration Building.

Julia M. Allen is professor emerita of English at Sonoma State University. She holds a Ph.D.in English with a focus on Rhetoric from the University of Texas at Austin. Her previous book, Passionate Commitments: The Lives of Anna Rochester and Grace Hutchins, State University of New York Press, 2013, won the Judy Grahn Award for Lesbian Nonfiction from the Publishing Triangle in 2014. Her most recent book, co-authored with Jocelyn H. Cohen, is Women Making History: The Revolutionary Feminist Postcard Art of Helaine Victoria Press.

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Save the date for this upcoming ASWM Salon:

In the Name of the Goddess: A Biophilic Ethic with Donna Giancola

APRIL 18, 2024 at 3pm Eastern Standard Time

The Salon recording will also be available to members after the event. 

“Matriarchy in Bronze Age Crete: A Perspective from Archaeomythology and Modern Matriarchal Studies”

with Dr. Joan Cichon

Thursday,  March 7, 2024 at 3pm Eastern Time  

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Bronze Age Crete evokes for many the image of a highly sophisticated civilization: peaceful, artistic, and refined; a society in which women were highly visible and important, and the supreme deity was a Goddess. Although authorities acknowledge that women played a major role in Bronze Age Cretan society, and the preeminent deity was female, there is a gap in the scholarly literature regarding the role of Goddess, women, and matriarchy in Crete.

The debate over whether Bronze Age Crete was a matriarchal society continues to be heated and unresolved. Joan’s research and her resulting book, Matriarchy in Bronze Age Crete: A Perspective from Archaeomythology and Modern Matriarchal Studies, attempt to fill the gap in the scholarly literature and advance that debate toward a more complex, detailed, and certain conclusion. Her work pioneers the argument that Bronze Age Crete was a Goddess-centered, woman-centered, matriarchal society, based on the latest archaeological findings and the emergent fields of archaeomythology and modern matriarchal studies.

Joan Cichon, Ph.D.,  a retired history professor and reference librarian and one of ASWM’s founding board members, earned her doctorate in Philosophy and Religion from the California Institute of Integral Studies. Her recently published book is entitled Matriarchy in Bronze Age Crete: A Perspective from Archaeomythology and Modern Matriarchal Studies (Oxford: Archaeopress, 2022). Joan has published articles on the Cretan Mother Goddess, the origins of the Eleusinian Mysteries, the centrality of women in Bronze Age Crete, and archaeomythology. For the past thirty-five years, she has spent several months in Crete each year studying, visiting archaeological sites and museums, and exploring the island.

Note: Joan’s book is available in open access PDF from Archaeopress.

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Save the date for this upcoming ASWM Salon:

Women Making History: The Revolutionary Feminist Postcard Art of Helaine Victoria Press with Jocelyn Cohen and Julia Allen

March 21, 2024 at 3pm Eastern Daylight Time

The Salon recording will also be available to members after the event. 

 

“Why Brigit was Born at Faughart, Co. Louth”

with Dr. Mary Condren

Thursday,  February 22, 2024 at 12 NOON Eastern Time  

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Following many calls, the Irish government recently instituted a Public Holiday in honour of Brigit: saint, outlaw, goddess, peace weaver, whistleblower, poet, healer and smith worker. As though a long- suppressed substrate had just been unleashed, unlikely combinations of feminist, post-feminist, pagan, goddess devotees, christian, post-christian, atheists, and agnostics collectively gathered offering unprecedented artistic, poetic, musical and ritual forms to celebrate the day. Apart from explicitly Christian events, the question Who is Brigit? was largely ignored. 

Focussing on the question, “Where was Brigit born?” this presentation will explore her relationship to Faughart, County Louth, one of the oldest ritual sites in Ireland, where shadowy figures, such as Flídais, Bláthnait, Monenna, and the Cailleach persist to this day. Many battles, mythic and real, took place at Faughart. In Saint Brigit’s birth stories, could another battle have been fought, that between indigenous ritual traditions, and the emerging Christian church? Did Saint Brigit’s birth at Faughart signify both its matristic importance, alongside the parallel importance of subjugating Irish indigenous traditions, in the interests of an emerging patristic world order?

Mary Condren Th.D., has degrees in theology, sociology, and social anthropology from the University of Hull; religion and society from Boston College, and a doctorate in religion, gender and culture from Harvard University. She is a Research Associate in Women’s Studies at the Centre for Gender and Women’s Studies, Trinity College Dublin; a former Research Associate in Women’s Studies at Harvard University, and has published widely on issues of feminism and religion, and on the interrelationship between religion, violence and gender.

Mary is the author of The Serpent and the Goddess: Women, Religion, and Power in Celtic Ireland. She is currently completing books on the roles of women and men in the sacrificial social contract.  Mary is also the National Director of Woman Spirit Ireland – The Institute for Feminism and Religion aims to explore a prophetic approach to feminism and religion, inclusive of many traditions and the emerging consciousness in Ireland. The Institute provides opportunities for women to reclaim religion by engaging theoretically and experientially with the issues of feminist theology, ethics, spirituality, and ritual.

 

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Save the date for this upcoming ASWM Salon:

Matriarchy in Bronze Age Crete: Perspective from Archaeomythology and Modern Matriarchal Studies

with Dr. Joan Cichon

March 7, 2024 at 3pm Eastern Standard Time

The Salon recording will also be available to members after the event. 

“Shepenwepet II Kushite God’s Wife of Amun”

with Dr. Solange Ashby

Thursday,  February 8, 2024 at 3 PM Eastern Time  

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Early European visitors and researchers viewed their findings in Egypt through a narrow lens of cultural assumptions. Dr. Solange Ashby provides us with a corrective to persistent but outmoded theories, making clear that Nubian women held roles of ritual, political, and economic power in the Twenty-fifth Dynasty.

Shepenwepet II was a royal woman of the Kushite dynasty from ancient Nubia (now northern Sudan) who arrived in Egypt during the time of her family’s reign as Egypt’s Twenty-Fifth Dynasty (747-656 BCE). She was the daughter of king Piankhy and sister of the pharaoh Taharqa. Shepenwepet herself held the powerful religious and economic role of the God’s Wife of Amun (GWA), the highest-ranking religious leader of the preeminent temple of Amun at Karnak (Thebes/Egyptian: Waset).

This paper will explore the religious rites performed by the GWA as related to the Beautiful Feast of Valley and the Decade Festival. Both of these celebrations consisted of processions from the temples of the east bank of the Nile (primarily Karnak) across the river to visit various temples on the west bank of the river (Small Temple of Amun, funerary complex of Hatshepsut at Deir el Bahari, and the temple-tombs in the Asasif and South Asasif areas). The Kushite revival of the office of God’s Wife of Amun, created for the earlier queens of the Eighteenth Dynasty (ca. 1520 BCE), incorporated new elements of the central role played by royal women in Kush. Shepenwepet II represents the trifecta of power – ritual, political, and economic.

Solange Ashby received her Ph.D. in Egyptology from the University of Chicago. Dr. Ashby’s expertise in sacred ancient languages, including Egyptian hieroglyphs, Demotic, and Meroitic, underpins her research into the history of religious transformation in Northeast Africa. Her book, Calling Out to Isis: The Enduring Nubian Presence at Philae, explores the temple of Philae as a Nubian sacred site. Her second book explores the lives of five Nubian women from history including queens, priestesses, and mothers. Dr. Ashby is an Assistant Professor in the department of Near Eastern Languages and Cultures at UCLA where she teaches Egyptology and Nubian Studies.

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Save the date for this upcoming ASWM Salon:

Why Brigit was Born at Faughart, Co. Louth with Dr. Mary Condren

February 22, 2024 at 12 NOON Eastern Standard Time

The Salon recording will also be available to members after the event.