Deity in Sisterhood: An Introduction

Deity in Sisterhood:  A Brief Introduction to the Collective Female Sacred in Germanic Europe

©2010, Dawn E. Work-MaKinne.  All rights reserved.

Deae Matronae of the UbiPopular imagination often portrays pre-Christian Germanic religion as stereotypically patriarchal and violent. It is true that both pre-Christian and Christian Germanic religious expressions are principally male-centered, and much of the literature from the age of the Viking lore depicts the actions of violent men and families. However, alongside and within these stories, histories and religions runs a counter-view of the divine as collective and female.  There are groups of goddesses and groups of female saints, often in collectives of three, but just as often unnumbered.  Although it is not a requirement that collective deity be female, in Germanic Europe it is overwhelmingly the case.  Collective goddesses and the collective female sacred can therefore be a subset of a larger concept, that of collective deity. For my purposes, collective deity is (1) a group of sacred or supernatural beings (2) collected under one group name (although they may carry additional individual names or epithets) (3) but not conflated into a single being; (4) worshipped collectively; (5) who act and wield their powers collectively and consensually.

The collective sacred female is an underrecognized theme that winds through Germanic religious history, pre-Christian and Christian. The earliest example of the Germanic collective goddesses is the Deae Matronae, Roman-Celto-Germanic goddesses of the Roman Era Rhineland, at the beginning of the Common Era. These goddesses are always a threesome, and when they are depicted in artwork, show two goddesses with the large bonnet headdresses of the married Ubii tribeswoman, along with one goddess wearing the long, flowing hair of the unmarried Ubii woman.  The artwork depicting the goddesses clusters around the century beginning 164 CE. Though the goddesses were those of a Germanic tribe, they were worshipped in a Roman manner, and the artifacts that remain are those carved by Roman stonecutters, remnants of the Roman vota ceremonies. The artifacts do not reveal the content of the vows fulfilled by the goddesses, but they do reveal the names and epithets of the Matronae goddesses: names speaking of the landscape, the peoples, the rivers, the animals and the bountiful nature of the goddesses.

It is almost a thousand years before the next collectives of goddesses appear in the Germanic historical record, and these are in Old Norse-speaking Iceland. Continue reading “Deity in Sisterhood: An Introduction”

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Modern Matriarchal Studies

Modern Matriarchal Studies Week at the Academy Hagia

by Joan Cichon

This past July I was privileged to attend a special week long seminar taught by Dr. Heide Gottner-Abendroth at her International Academy Hagia (www.hagia.de) in Bavaria, Germany.  Entitled “Modern Matriarchal Studies,” the seminar was attended by sixteen women from Africa, Europe and North and South America.  Among the participants were politicians, activists, scholars, academicians, and artists.

We came to Bavaria for Dr. Gottner-Abendroth’s first seminar in English on Modern Matriarchal Studies, a field which she originated.

Continue reading “Modern Matriarchal Studies”

The “Digital Divide” in journal access

Any independent scholar can tell you of times she has researched a topic on the web and been stopped at the gate of JSTOR or other institutional databases.  It’s frustrating to locate articles that are relevant to one’s research and then be denied access to them.  Ken Mondschein explores the issues surrounding digital access in his essay “The Ivory Firewall” on the Academic Politics web site.

Review: “Pink Smoke Over the Vatican”

by Patricia Monaghan, Ph.D.

One of the most thrilling moments of the first national ASWM conference in April, 2010, was the world premiere of the documentary “Pink Smoke Over the Vatican” by California filmmaker Jules Hart.

Women priests featured in film

Four years in the making, this surprising and moving film traces recent developments within the Roman Catholic Church.  Catholicism holds that priests must be ordained “in apostolic succession,” meaning that each priest is ordained by a bishop whose heritage can be traced all the way back to the original apostles of Jesus Christ—a two thousand year link to the founding fathers of the church. Continue reading “Review: “Pink Smoke Over the Vatican””