Announcing Scholar Salon 64: Register for January 25

Strength, Creation, Love, and Transformation: Telling the African Goddesses

with Vanessa Johnson

Thursday,  January 25, 2024 at 3 PM Eastern Time  

REGISTER HERE

 

Aft by Paul Agbee

“Women who speak for themselves have the authority to control their lives. By telling our stories, women talk themselves out of the world of silence and invisibility, and into the world of strength, creation, love, and transformation. Our voices center our existence in the eternal line of creation that the first African women birthed on this planet.  Telling the stories and legends of African Goddesses rejects patriarchy as the central power of spirituality and shifts traditional male bound forms of spiritual discourse. Remembering the voice of the African Goddesses is a transformative process which reclaims the African roots of our female existence.” Vanessa Johnson shares these powerful stories and legends of African Goddess of the Motherland and of the African Diaspora.

Vanessa Johnson

Vanessa Johnson is a Griot, a Storyteller in the West African Tradition.  She is a Writer, a Playwright, an Actor, a Fiber Artist, Museum Consultant, Community Activist, Historian, an Educator and Teaching Artist. In addition to many projects as a visual artist and activist, she has acted in numerous plays and has written, directed, and produced children’s plays; her own play “Doors” was produced in May 2014, by the Paul Robeson Performing Arts Company of Syracuse. She is the Founding Director of Syracuse Africa Bound, which provides youth from 12-18 years old the opportunity to explore African Cultures, and to take part in educational travel and service opportunities in Ghana West Africa. Vanessa is the Artist in Residence for the Matilda Joslyn Gage Foundation in Fayetteville, N.Y., and as a consultant, designed the museum’s Underground Railroad Room. She has served as the Gage Foundation Community Liaison for their Girl’s Ambassadors for Human Rights Program. She has been the Gage Ambassadors for Human Rights Program Director from 2016 to the present. She is the recipient of a Melon and Ford Foundation Creatives Rebuild NY Grant for 2022-2024.

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Save the date for this upcoming ASWM Salon:

Thursday February 8 at 3 PM Eastern Time

Shepenwepet II Kushite God’s Wife of Amun”  with Dr. Solange Ashby

Benefit of Membership - ASWM

The Salon recording will also be available to members after the event. 

Announcing Scholar Salon 63: Register for January 11

“Matriarchal Societies of the Past and the Rise of Patriarchy”

with Heide Goettner-Abendroth

Thursday,  January 11, 2024 at 12 NOON Eastern Time  

REGISTER HERE

 

 

Reconstruction of fresco at Knossos

This new book by Dr. Heide Goettner-Abendroth is about re-writing the history of cultures from a non- patriarchal perspective, bringing the forgotten matriarchal epoch to light again. It is based on her pioneering anthropological research on still extant matriarchal societies worldwide, which provided her with a new definition of “matriarchy” as mother-centered, consensus based, and thus egalitarian societies.

This is her background for re-examining the history of cultures. She criticizes patriarchal prejudices which abound in archaeological interpretations, and their blindness toward the great variety of human social forms. By going deeper into this material and including new archaeological finds, she is able to develop a completely different picture of the earliest cultural epochs, which were decisively formed by the inventions of women, by motherhood and maternal values.

Additionally, she gives a logical and detailed explanation for the rise of patriarchy, which is based on archaeological field work and not on speculation and, therefore, has a high degree of validity. She also shows by the examples of the Eurasian Steppe and Europe as well as Mesopotamia that patriarchal patterns developed in very different ways in different cultural regions, so that patriarchy did not arise once, but manifold in different countries and continents, and at different times. In these cultural regions, the range of the book includes the development from the Palaeolithic via the Neolithic and the Bronze Age to the Iron Age. In this vast field, the author creates revolutionary new insights.

Photo by Maresa Jung

Heide Goettner-Abendroth is a mother and a grandmother. She earned her Ph.D. in philosophy of science at the University of Munich where she taught for ten years (1973-1983).  She has published on philosophy of science, and extensively on matriarchal society and culture, and through her lifelong research on matriarchal societies has become a founder of Modern Matriarchal Studies. Her first magnum opus: Matriarchal Societies. Studies on Indigenous Cultures across the Globe, defines the topic and provides a world tour of examples of contemporary matriarchal cultures. It has been translated and published in several languages.

With her new book, her second magnum opus: Matriarchal Societies of the Past and the Rise of Patriarchy, she broadens her research, bringing the forgotten matriarchal epoch in early history to light again. She has been visiting professor at the University of Montreal in Canada, and the University of Innsbruck in Austria. She lectured extensively at home and abroad. 

In 1986, she founded the “International ACADEMY HAGIA for Matriarchal Studies and Matriarchal Spirituality” in Germany, and since then has been its director. In 2003, 2005 and 2011 she organized and guided three World Congresses on Matriarchal Studies in Europe and the U.S.A. She has twice been nominated for the Nobel Peace Prize, in 2005 by a Swiss initiative and in 2007 by a Finnish initiative.

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Save the date for this upcoming ASWM Salon:

Thursday January 25 at 3 PM Eastern Time

Strength, Creation, Love, and Transformation: Telling the African Goddesses”  with Vanessa Johnson

Benefit of Membership - ASWM

The Salon recording will also be available to members after the event. 

Scholar Salon 62

ASWM Scholar Salon with Katie Hoffner remembering the Goddess Icon Banner project of her aunt Lydia Ruyle, whose art created "a new HERstory in a visual way with representations of the Divine Feminine from across the globe."

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Scholar Salon 58

“Shapeshifting Lands of Lāhainā, Maui: Mo’o and Moku’ula”
with Mahealani Ahia
RESCHEDULED:
Thursday,  November 30, 2023 at 3 PM Eastern Time
We are pleased to be able to offer this Salon again following technical failures during the original event.

Moku’ula by Janet Spreiter

Following the devastating fires on August 8, 2023, in Lāhainā, Maui, there has been a call for a restoration of the sacred lands of Mokuʻula, once the seat of Hawaiian government and home to the great akua moʻo (reptilian water deity) Kihawahine. In this kairotic moment, my dissertation research entitled “Shapeshifting Hawaiian Biography: The Life and Afterlives of Kihawahine” intends to share a longer and richer story than tourist and colonial myths have perpetuated of this famous site. My project is an Indigenous Hawaiian biography centering Kihawahine —daughter of 16th century Maui high chief Piʻilani— who was ritually deified into a guardian akua moʻo and later elevated to island-wide worship under Kamehameha. Shapeshifting moʻo are kiaʻi wai, the most revered and feared water protectors. The study of Kihawahine’s life, afterlife, and multiple body forms—giant lizard, white dog, spider—invites deep examination of Hawaiian history, religion, politics, culture, art, and language.

“Kihawahine” by R.C. Barnfield

By historicizing various re-tellings and interpretations of her story across time and region, I map the meanings and intentions behind keeping her image alive for each successive generation. The story of Kihawahine is found in many sources including Hawaiian-language newspapers, missionary journals, ship logs, archaeological reports, oli (chant) and hula (dance). Her kiʻi (ritually carved wooden image) is currently sailing around the world aboard the Hōkūleʻa voyaging canoe. Unfortunately, another kiʻi sits behind glass in the Berlin Ethnological Museum. By sharing these stories, Kānaka ʻŌiwi hope our voices will aid in the repatriation of our ancestral kiʻi, restoration of sacred Mokuʻula, and return of our life-giving waters.

Mahealani Ahia

Māhealani Ahia is a Los Angeles-born Kanaka ʻŌiwi artist, scholar, activist, songcatcher and storykeeper with lineal ties to Lāhainā, Maui. With a background in theatre arts, writing and performance from U.C. Berkeley and U.C. Irvine, Māhea is committed to creating artistic and academic projects that empower Indigenous feminist decolonial research. Her Master’s Degree in Mythology and Psychology from Pacifica Graduate Institute focused on cultural trauma and the power of stories and chanting to heal. As a PhD candidate in English (Hawaiian Literature) and a graduate certificate student in Women, Gender and Sexuality Studies at the University of Hawaiʻi at Mānoa, her dissertation research “Shapeshifting Hawaiian Biography: The Life and Afterlives of Kihawahine” inundates biography’s genre boundaries as it theorizes feminist power and leadership within the moʻo (reptilian water deity) clan. Māhea teaches courses like Indigenous Feminisms, Island Feminisms, Creative Writing for Healing. She serves as editor for Hawaiʻi Review and ʻŌiwi: A Native Hawaiian Journal and is co-organizer of the Mauna Kea Syllabus Project.

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Benefit of Membership - ASWM

Scholar Salon 52

Dr. Kaarina Kailo compares variants of the story of the Woman Who Married a Bear to show clearly how the attitude towards mother and bear worship has changed in the shift from pre-christian to Christian and patriarchal cultures.

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