About Water Protector Panelist Miigam’agan

“Teachings of Water Spirit ~ Elders Honoring Water”

May 6, 2023 at ASWM Conference in Syracuse NY

We are honored to present the wisdom of Three Elders grounded by river and sea, beach, marsh and wetland, woodland and prairie, who share their notions of water as spirit. Here, the teachings of the matriarchs they have learned from are entwined within their lives—these three immense elder teachers provide a forthcoming lesson as they come together to reveal their love of Water through song and story. 

Miigam’agan

Miigam’agan – Mi’kmaq Elder  is a Wabanaki/Mi’kmaw grandmother of the Lobster Clan from Esgenoôpetitj or Burnt Church, NB. She is a mother of three wonderful adults and grandmother to five beautiful grandchildren. Much of her life has been devoted to the revival of Wabanaki culture and the Mi’kmaq language; she dedicates time to promoting an understanding of Indigenous matriarchal systems and the relevance of Mi’kmaq, her ancient language defining matrilineal and matrifocal ways. Miigam’agan shares with learners around the globe, Grandmother Teachings on the stages of life found in human developmental cycles, and the cultural history and ceremonial roles and practices of women and men, as defined by her knowledge of this ancient language and the teachings of her ancestors.  

Currently and for the past several years, Miigam’agan holds the role of Elder-in-Residence at St. Thomas University in Fredericton, New Brunswick. In this capacity, she provides support for both Indigenous and non-Indigenous students, and offers opportunities for them to learn from Elders who are carriers of traditional knowledge. She is an important link between the University and First Nations communities and elders in her home territory. Miigam’agan sits on the Executive Committee of the Urban Aboriginal Knowledge Network at the University of New Brunswick, which sets research priorities and ensures that the research they support meets the needs of urban Aboriginal peoples; she works with a number of additional faculty members on projects of Indigenous education and governance. She a member of several other women’s groups and sits on the steering committee on Adult Education Initiatives for the Catherine Donnelly Foundation. She has been integral voice in addressing issues of #MMIWG and engages in ceremony to assist young and old alike. Miigam’agan has engaged with faculty and students around the globe, within universities, colleges and communities, many of which are on Turtle Island, and from a Mi’kmaq perspective. she willingly shares her knowledge about many of the teachings she has received on matriculture. Her focus is on the seven generations and those yet to come! 

Miigam’agan is an honored member of our ASWM Advisory Board.

About Water Protector Panelist Marjorie Beaucage

“Teachings of Water Spirit ~ Elders Honoring Water”

May 6, 2023 at ASWM Conference in Syracuse NY

We are honored to present the wisdom of Three Elders grounded by river and sea, beach, marsh and wetland, woodland and prairie, who share their notions of water as spirit. Here, the teachings of the matriarchs they have learned from are entwined within their lives—these three immense elder teachers provide a forthcoming lesson as they come together to reveal their love of Water through song and story. 

Marjorie Beaucage

Marjorie Beaucage is a Two-Spirit Michif elder, filmmaker, artist, activist and educator. She is a land and water protector, a carrier of stories, and of ceremony. Born in Vassar, Manitoba, to a large Métis family, Marjorie’s life’s work has been about creating social change, working to give people the tools for creating possibilities and right relations. Whether in the classroom, community, campsite or the arts, Marjorie’s goal has been to pass on the stories, knowledge and skills that will make a difference for the future. For Marjorie, story is always medicine. Marjorie is an water protector, a water walker and an elder guide for the Saskatchewan River Water Walk (2021-2024), and she shares her story of why water needs our protections.

As an artist, Marjorie has created more than 30 films of Indigenous stories from Indigenous perspectives. These films have been screened in bingo halls and at City Hall, from Northern Labrador to New York. Marjorie sees herself as a change agent, both in her own life and in the lives of those around her. At 70, during a residency at the Santa Fe Art Institute in New Mexico in 2017, Marjorie reflected on a lifetime of art and activism. There, she experimented with Circus Arts and Spoken Word as new forms for sharing her life stories. In 2018, Marjorie was honoured with a retrospective of her work at the imagiNATIVE Film Festival, and with an Artistic Excellence Award from the Saskatchewan Arts Board.

As a Two-Spirit Métis, as an artist-educator and a community organizer, Marjorie takes on the tough topics that need to be discussed. Her work is focused on giving voice to, and creating safe cultural spaces for, traditionally silenced or excluded groups such as Two-Spirit youth, sex workers, survivors of sexual abuse, Indigenous women living with HIV, homeless people, and people who use substances. Marjorie is known on the local, regional and national levels as an Elder/Artivist who speaks truth to power, and who holds space for difference. She has been a Grandmother for Walking With Our Sisters; the Elder for OUT Saskatoon; and the Elder-In-Residence for the University of Saskatchewan Student Union. She has also been called on to be a Knowledge Carrier for national research initiatives that focus on Indigenous women living with HIV, Indigenous Harm Reduction, Indigenous youth who experience sexual and gender-based violence, and post-traumatic stress. In all of these, Marjorie returns to story as medicine, to art as medicine. Looking forward, her revolutionary life story, “Leave some for the birds” will be launched in the spring of 2023.

Announcing Scholar Salon 52: Rescheduled for March 23

“The Woman who Married the Bear and Original Instructions”

with Kaarina Kailo

Thursday,  March 23, 2023 at NOON Eastern Time 

REGISTER HERE

 

imaArtist-Pixabay

The Spring festivals with, among others, bear goddess Brigit at the forefront celebrated gifting, food and collective merry-making as life returned. The Bear gave a woman the original instructions. Gifting ensured people did not overuse their resources of the commons. It is by comparing variants of the story of the Woman Who Married a Bear that we can see most clearly how the attitude towards mother and bear worship has changed in the shift from pre-christian to Christian and patriarchal cultures. The current threats to an ecosocially sustainable future require that we re-introduce ecomyths and rituals that reflect an understanding of humans’ interdependence with the community of sentient beings and Inter-relational ecosystems. I describe how the original instructions of matricultures in northern Finno-Ugric cultures have been appropriated and changed to serve patriarchal values.

Watch for the forthcoming (June 2023), The Woman Who Married the Bear. The Spirituality of the Ancient Foremothers by Barbara Alice Mann and Kaarina Kailo (Oxford UP; see Mann-Kailo book).  This book surveys Indigenous traditions across the global North, including North America and Eurasia, with matriarchal traditions of Women marrying the Bear in both, sporting caves as wombs, water as earth’s amniotic fluid, and birth-renewal as the point of thanksgiving. In North America, traditions stretch back to the Bölling−Allerød warming, 15,000 BP and come forward into historical times. In Eurasia, starting with the earliest “Venus” figurines of bear-headed women, 35,000 BP, traditions connect fire, water, earth, forest, and “Bear-Women” spirits to matriarchy. In both instances, women and bears originally collaborate through time-keeping star configurations and winter cave-dwelling, as symbolized by the spring awakening from hibernation followed by the birth of “cubs.” 

Dr. Kaarina Kailo

Dr. Kaarina Kailo has worked as prof. or senior scholar of Women’s Studies in Finland and Canada. Her expertise includes Northern indigenous studies, ecomythology and bear spirituality. Her hundreds of publications, books, articles, edited or co-edited volumes include Wo/men & Bears— Nature, Culture, Gender; Finnish Goddess Mythology and the Golden Woman; Mothering, Gift and Revolution and studies on sauna spirituality.

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Scholar Salons will resume later in the year following our International Conference “Waters of Life,” May 5-6 2023 in Syracuse NY.

Benefit of Membership - ASWM

The Salon recording will also be available to members after the event. 

May 7 in Syracuse: International Feminists for a Gift Economy

Please join the International Feminists for a Gift Economy (IFGE) for A Day of Global Sisterhood for a self-organizing day of discussion and ritual. Sunday, May 7, 2023; 10AM to 4PM (ET) at the Crown Plaza Hotel (Syracuse, NY)   This event follows the ASWM conference. IFGE invites you to bring any topics or issues that have come up in the conference and strategize about Where to Go from Here.  We will close with a ritual for healing the planet.

They say: ” This day is a free gift.  You will receive food for thought only; you are responsible for your own meals and expenses.”  Walk-ins on the day of the event are welcome.

To RSVP or for questions and updates:  maternalgifteconomy@gmail.com 

Announcing Scholar Salon 53: Register for March 9

Philippine Shamans and Voice and Gender and Place

with Grace Nono

Thursday,  March 9, 2023 at NOON Eastern Time 

REGISTER HERE

Babaylan shamans, cover of “Babaylan Sing Back” by Grace Nono

Babaylan Sing Back is Grace Nono’s most recent work, which depicts the embodied voices of Native Philippine ritual specialists popularly known as babaylan. These ritual specialists are widely believed to have perished during colonial times, or to survive on the margins in the present-day. They are either persecuted as witches and purveyors of superstition, or valorized as symbols of gender equality and anticolonial resistance. Drawing on fieldwork in the Philippines and in the Philippine diaspora, Grace’s deep engagement with the song and speech of a number of living ritual specialists demonstrates Native historical agency in the 500th year anniversary of the contact between the people of the Philippine Islands and the European colonizers.

Grace Nono, photo by Andrew Contreras

Grace Nono, Ph.D., is an ethnomusicologist and scholar of Philippine shamanism. She is also a music-performing artist, and founding president of the Tao Foundation for Culture and Arts, a non-profit organization that contributes to cultural revitalization in the Philippines. Among Grace’s books are Babaylan Sing Back: Philippine Shamans and Voice, Gender and Place (Ateneo University Press, 2023, and Cornell University Press–Southeast Asia Program, 2021); Song of the Babaylan: Living Voices, Medicines, Spiritualities of Philippine Ritualist-Oralist-Healers (Institute of Spirituality in Asia, 2013); and The Shared Voice: Chanted and Spoken Narratives from the Philippines (ANVIL and Fundacion Santiago, 2008). For further information about Grace Nono, see  www.gracenono.com.

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Save this date for the next ASWM Salon:

March 23, 2023 “The Woman Who Married a Bear and Original Instructions” with Kaarina Kailo

NOTE: We will resume our Salon series later in the year, after our May 5-6 Conference!

Benefit of Membership - ASWM

The Salon recording will also be available to members after the event.