Honoring Carol P. Christ

Goddess Scholar and Thealogian Carol P. Christ

 

Dr. Carol P. Christ

“The Goddess is the intelligent embodied love that is in all being.”

On July 14, beloved scholar and teacher Carol P. Christ passed away from cancer. Her last presentation, for the ASWM Symposium, was recorded only days before her death and will be archived in our Resource Library. 

We acknowledge this deep loss to the community of goddess scholars and women everywhere, and we want to share resources, a beautiful obituary, and a call for papers for an upcoming symposium in her honor.

Everyone who knew her is invited to share memories and photos of Carol for a running tribute post on the Feminism and Religion Blog. Please email Xochitl Alvizo at feminismandreligionblog@gmail.com (the subject must include ‘blog’).

Also, filmmaker Cheri Gaulke has posted a video of an interview she and Anne Gauldin conducted with Carol during her Goddess Pilgrimage to Crete in September 2019, the last tour Carol led. 

OBITUARY: Carol Patrice Christ, 1945-2021  Ellen Boneparth and Mara Lynn Keller

“In Goddess religion death is not feared, but is understood to be a part of life, followed by birth and renewal.”  — Carol P. Christ

Carol Patrice Christ died peacefully on July 14 from cancer.  Carol was and will remain one of the foremothers and most brilliant voices of the Women’s Spirituality movement.  At the conference on “The Great Goddess Re-Emerging” at the University of California at Santa Cruz in the spring of 1978, Carol  delivered the keynote address, “Why Women Need the Goddess: Phenomenological, Psychological, and Political Reflections.” Christ proposed four compelling reasons why women might turn to the Goddess: the affirmation and legitimation of female power as beneficent; affirmation of the female body and its life cycles; affirmation of women’s will; and affirmation of women’s bonds with one another and their positive female heritage (Christ 1979).

Carol graduated from Yale University with a PhD in Religious Studies and went on to teach as a feminist scholar of women and religion, women’s spirituality, and Goddess studies, at institutions including Columbia University, Harvard Divinity School, Pomona College, San Jose State University, and the California Institute of Integral Studies, where she was an adjunct professor since the inception of the Women’s Spirituality, Philosophy and Religion graduate studies program in 1993.  Christ published eight profoundly thoughtful and inspiring books, several in collaboration with her friend and colleague Judith Plaskow, whom she met at Yale:

  • Diving Deep and Surfacing: Women Writers on Spiritual Quest (1986)
  • Woman Spirit Rising: A Feminist Reader in Religion, anthology co-edited with Judith Plaskow (1992)
  • Odyssey with the Goddess: A Spiritual Quest in Crete (1995)
  • Weaving the Visions: New Patterns in Feminist Spirituality. Anthology co-edited with Judith Plaskow (1989)
  • Laughter of Aphrodite: Reflections on a Journey to the Goddess (1987)
  • Rebirth of the Goddess: Finding Meaning in Feminist Spirituality (1998)
  • She Who Changes: Re-imaging the Divine in the World (2004)
  • Goddess and God in the World: Conversations in Embodied Theology. Co-authored with Judith Plaskow (2016)

Christ’s first book, about women writers on spiritual quest,  is a book of  spiritual feminist literary criticism that focused on feminist authors Kate Chopin, Margaret Atwood, Doris Lessing, Adriene Rich, and Ntozake Shange. She discovers four key aspects to women’s spiritual quest: the experience of nothingness; awakening (to the powers that are greater than oneself, often found in nature); insight (into the meaning of one’s life); and a new naming (in one’s own terms). She emphasizes the importance of telling women’s stories in order to move beyond the stories told about women by the male-centered patriarchy. Her concluding chapter speaks of a “Culture of Wholeness,” that encompasses women’s quest for wholeness, and she adds that, for this wholeness to be realized, the personal spiritual quest needs to be combined with the quest for social justice.

Olive Groves in Crete

After first traveling to Greece in 1981 with the Aegean Women’s Studies Institute led by her friend Ellen Boneparth, Carol fell in love with the country. She chose to live in Greece, first in Molivos on the beautiful island of Lesbos, and then moving recently to Heraklion, Crete.  She had a passion for saving the environment and was active in the Green movement in Greece.  she also had a love for swimming in the Aegean and sharing Greek food and wine with friends in Greece and from overseas.

Carol’s fascination with Crete, ancient and modern, led her to found the Ariadne Institute for the Study of Myth and Ritual, through which she offered an educational tour, “Pilgrimage to the Goddess” twice annually.  These tours introduced many to a direct experience of the ancient Earth Mother Goddess in Crete.

Ancient town of Gournia in Crete

In her most recent article, for the Encyclopedia of Women in World Religion: Faith and Culture, Christ wrote about the Goddess religion and culture of her beloved island of Crete, and the roles women played in that “egalitarian matriarchal” civilization. Her eloquent words speak not only to the Goddess religion of ancient Crete, but also to the spirituality and ethical values she also cherished, which are much needed in our own culture today.

As discerners and guardians of the mysteries, women created rituals to celebrate the Source of Life and to pass the secrets of agriculture, pottery, and weaving down through the generations. The major rituals of the agricultural cycle involved blessing the seeds before planting, offering the first fruits of the harvest to the Goddess, and sharing the bounty of the harvest in communal feasts. These rituals establish that life is a gift of the Goddess and institute gift-giving as a cultural practice. As women controlled the secrets of agriculture, it makes sense that land was held by maternal clans, that kinship and inheritance passed through the maternal line, and that governance and decision-making for the group were in the hands of the elders of the maternal clan. In this context, the intelligence, love, and generosity of mothers and clan mothers would have been understood to reflect the intelligence, love, and generosity of the Goddess.

FREE ONLINE SYMPOSIUM : Carol P. Christ: A Symposium in Celebration of Her Spiritual-Feminist Activism and Women’s Spirituality Scholarship

October 22, 2021. 10:00 am to 4:00 pm

Free Symposium via Zoom hosted by the Women’s Spirituality Graduate Studies Program, California Institute of Integral Studies

Carol Christ Symposium CALL FOR PAPERS

 

Announcing Scholar Salon 30: Register for September 23

“Yarb Women: the Traditional Female Healers of Appalachia”

with H. Byron Ballard

Thursday,  September 23, 2021 at 3 pm Eastern Daylight Time 

REGISTER HERE

 

The Appalachian Mountains

The land of misty coves that comprises the southern highlands of Appalachia is one of the most diverse bioregions in the world. One of the cultures that stubbornly clings to its old ways is the tradition of the cove doctor, the yarb (“herb”) woman. These women ran their subsistence farms and took care of the medical needs of their immediate communities. Their work included midwifery, fertility, tending the dying and dressing the bodies of the dead. Their tools were simple and their skills much sought after.

The materials of the yarb woman included the plants that were cultivated in the garden and those that were wildcrafted. These were gathered according to the signs of the Moon and preserved through drying, tinctures, poultices and salves. There was also a tradition of incantations brought from the British Isles and employed against many common ailments.

The folkways of the region have traditionally been in the firm, experienced hands of generations of strong women and that remains to this day. The work of yarb women continues and flourishes in the Internet age where students come from far afield to learn these old ways, ways passed down through families whose ancestors have walked the hills for many generations.

Byron Ballard with Monkey Boy

H. Byron Ballard is a WNC native, teacher and writer. Her essays feature in several anthologies, and she writes a regular column on Crone-life for SageWoman Magazine. Her books include “Staubs and Ditchwater,” “Asfidity and Mad-Stones,” “Embracing Willendorf,“ “Earth Works,” and “Roots, Branches and Spirits.” She has presented at festivals and conferences including Sacred Space, Southeast Wise Woman Herbal Conference, Glastonbury Goddess Festival, ASWM, Appalachian Studies Association and Scottish Pagan Federation Conference. She is one of the founders and serves as senior priestess at Mother Grove Goddess Temple in Asheville, NC. She can be reached at My Village Witch.

Save the dates for upcoming ASWM Salons:

October 7 at NOON Eastern Daylight Time
“Sacred Sites of Cornwall”
Cheryl Straffon

October 21 at 3pm Eastern Daylight Time
“Sacred Instructions”
Sherri Mitchell

November 11 at NOON Eastern Standard Time
“The Old European Roots of Women’s Circle Dance”
Laura Shannon

January 13 2022 at NOON Eastern Daylight Time
“Dreaming the Presence: Exploring the Sacred Feminine in Dreams”
Rabbi Jill Hammer

Benefit of Membership - ASWM

The Salon recording will also be available to members after the event. 

Announcing Scholar Salon 29: Register for Sept 9

Taino Goddesses of the Caribbean”

with Marianela Medrano

Thursday, September 9, 2021 at 3 pm Eastern Daylight Time 

REGISTER HERE

Atabey, principio femenino del mundo

This salon will focus on the Taino cosmogony and the salient impact of the Goddess as embodied by five deities: The Great Mother Atabey, Guabancex, Mama Jicotea, or Caguama, Itiba Cahubaba, and Guabonito. The divine feminine had a significant role in forming the sense of self of our indigenous and contemporary people of the Caribbean. We’ll discuss why it is essential to move from the fragmentation brought by colonization and return to the wholeness of our ancestral lineage. We’ll focus on the difference between collective and individualistic mindset and the impact of each on the growth and development of people.

Marianela Medrano

Marianela Medrano was born and raised in the Dominican Republic and has lived in Connecticut since 1990. A poet and a writer of nonfiction and fiction, she holds a Ph.D. in psychology. Her first two collections of poems were published in the Dominican Republic. Her poetry has been recognized for its capacity to build daring images redefining womanhood. She has published six poetry books, a children’s story, and numerous essays. Marianela  lectures throughout the world on spirituality and the divine feminine among the Taino
people of the Caribbean.

Marianela’s work is featured in “An Exaltation of Goddesses,” a poetry performance created for ASWM’s 2021 online Symposium, “Wisdom Across the Ages,” by the Poetry Witch Community.  Her 2015 TED Talk, “A Ciguapa Speaks:  On How I Came to Value Wholeness,” was presented at St. Ursuline College.

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Save the dates for upcoming ASWM Salons:

September 23, 2021 at 3pm Eastern Daylight Time
” Yarb Women: Traditional Female Healers of Appalachia”
Byron Ballard

October 7 at NOON Eastern Daylight Time
“Sacred Sites of Cornwall”
Cheryl Straffon

October 21 at 3pm Eastern Daylight Time
“Sacred Instructions”
Sherri Mitchell

November 11 at NOON Eastern Standard Time
“The Old European Roots of Women’s Circle Dance”
Laura Shannon

Benefit of Membership - ASWM

The Salon recording will also be available to members after the event. 

The Sarasvati Nonfiction Book Award Application

Sarasvati Nonfiction Book Award submissions deadline has been extended:  Dec. 31 2021

Sarasvati by Raja Ravi Varma

The Sarasvati Nonfiction Book Award solicits nonfiction books published in English during 2019-21 in the field of women and mythology. Named for the Hindu goddess of learning and the creative arts, the Sarasvati Award from the Association for the Study of Women and Mythology (ASWM) honors scholarly work in the fields of goddess studies and women and mythology. Anthologies and self-published books are not eligible for consideration. Applications must be submitted by publisher and must be received by the ASWM Sarasvati Award Committee no later than December 31, 2021.  The award will be presented during ASWM’s next biennial conference.

Publishers Submission Form:  2021 Sarasvati Submission Form

Previous winners of the Sarasvati Award for Nonfiction:

2018: Sheela na gig: The Dark Goddess of Sacred Power by Starr Goode (Inner Traditions)

2016: The Amazons: Lives and Legends of Warrior Women across the Ancient World by Adrienne Mayor (Princeton)

2014: The Dancing Goddesses: Folklore, Archaeology and the Origins of European Dance by Elizabeth Wayland Barber (Norton)

2012: Sacred Display: Divine and Magical Female Figures of Eurasia by Miriam Robbins Dexter and Victor Mair (Cambria Press)

For questions please contact the Awards Committee

Donna Read’s Life at the Moment

Recently we invited our advisory board members to tell us what is on their minds these days, to share their current projects, milestones, and emerging collaborations.  Donna’s report is the fifth in this series. 

Donna Read portrait

Donna Read’s Life At The Moment. – May 15, 2021.  I turned 80 in 2018 and I found myself surprised I was still making movies and enjoying my work: I had imagined  by this time, I would be ‘retired’.  I was working with a group of architects and social designers who were interested in slum rehabilitation.  Their first selected project was a small slum in India about 400miles north of Mumbai.  The idea was to document the process, get to know the people involved and to follow up on their life after the project was built.  

“Signs Out of Time” by Starhawk and Donna Read

In November, 2019, I was there for the last shoot we would do before the building was completed, when I fell and broke my hip.  

This was the beginning of a major change in my life and eventually opened the path to my retirement.  I got home to Montreal in time for my 81st birthday with three pins holding my hip together and an x-ray showing a growth in my bladder.  

I had the growth removed in March 2020, it was non-replicable cancer, and the day I left hospital, Montreal went into quarantine for the Covid-19 virus.  I had expected to get back to work, because after all, I work from home when I edit, but Covid changed everything including the situation in India, and my own priorities.  

Over the next few months, due to the virus and extreme monsoons building progress on our project in India virtually came to a stop.  There was a change in the office personnel, a filmmaker from India was hired, trips back to India were cancelled and I found myself wondering where I could fit into a project so far away in distance, culture and completion.

As the months unfolded,  I was concerned I could not contribute in the way my heart was telling me to.  I had felt part of a global story when I started the movie but with Covid I was feeling that vision had to include the political as I watched with horror what was unfolding in India, a departure from the original intention of our movie and something I knew I could not do from Canada.  More I felt my true purpose was to do the work from where I was, to tell stories I know and understood.      

In March 2021, I fell and broke my other hip and it put me where find myself now.  I have been in hospital for two months…surgery on my broken hip and a hip replacement on the hip I broke in India. Contemplating my future from a hospital room certainly put things into perspective. 

I am very aware of Time. And in truth, I no longer want to spend any more time making films as they are Times black hole. I am however drawn toward serving those who come into my orbit with a particular need; I am willing to advise and to serve those needs but  not to be responsible for the outcome. 

I have a big family 5 children, 5 grandchildren and 2 great-grandchildren.  I want to spend time with them not the computer screen.  To satisfy my creative urges, I have hours of family videos and photos I want to put together.  And of course I have friends I want to visit, places I still want to see.  

I feel free at the moment, open to serving the life around me best I can.  I know that purpose will make itself known to me as I progress down the retirement path and I open myself to the mystery, like it always has.    

Labyrinth, Tintagel, Cornwall