ASWM Scholar Salon with Guadalupe Urbina, internationally known singer-songwriter and researcher, whose work explores the rich oral tradition and stories of the Guanacaste region of Costa Rica. To tell her story of identity and culture, she has ventured into painting, children's books and poetry as extensions of her musicality.
Hi! Looks like you first must log in below to view this Members Only content.
If you are not yet a member, and you would like to view this content, please click Join & Renew to pay for an annual membership.
If you Forgot Password - Reset here to receive an email with a reset link. Or, when you are logged in, click on Account from the menu above, then the Change Password link on that page.
Harriet Tubman’s legendary life is widely known: escaping enslavement, leading others to freedom via the Underground Railroad, and tirelessly fighting for change. But a crucial chapter often overlooked is her daring Civil War service as a spy for the US Army, detailed in Dr. Edda L. Fields-Black’s groundbreaking book, COMBEE: Harriet Tubman, the Combahee River Raid, and Black Freedom during the Civil War.
A direct descendant of a soldier who fought in the raid, Dr. Edda Fields-Black unveils Tubman’s command of spies and pilots and intelligence gathered from freedom seekers, which led to a raid that liberated 756 enslaved people from bondage on seven rice plantations. It was the largest slave rebellion in US history. Through unexamined documents, she brings to life the Combahee River Raid and the untold stories of those freed, their resilience, and the lasting impact of Tubman’s heroism.
Dr. Edda L. Fields-Black teaches history at Carnegie Mellon University and has written extensively about the history of West African rice farmers, including in such works as Deep Roots: Rice Farmers in West Africa and the African Diaspora. She was a co-editor of Rice: Global Networks and New Histories, which was selected as a Choice Outstanding Academic Title. She has served as a consultant for the Smithsonian National Museum of African American History and Culture’s permanent exhibit, “Rice Fields in the Low Country of South Carolina.” She is the executive producer and librettist of “Unburied, Unmourned, Unmarked: Requiem for Rice,” a widely performed original contemporary classical work by celebrated composer John Wineglass.
Edda Fields-Black is a descendent of Africans enslaved on rice plantations in Colleton County, South Carolina; her great-great-great grandfather fought in the Combahee River Raid in June 1863. Her determination to illuminate the riches of the Gullah dialect, and to reclaim Gullah Geechee history and culture, has taken her to the rice fields of South Carolina and Georgia to those of Sierra Leone and Republic of Guinea in West Africa.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Watch our Newsletter for announcements about additional Salons in our summer series.
This Salon recording will also be available to members when processed after the event.
ASWM Scholar Salon with Jamie Figueroa. "Mother Island: A Daughter Claims Puerto Rico" In her memoir, novelist Jamie Figueroa excavates her roots from her childhood, cutting into them across generations and unearthing them on the island of Puerto Rico, the homeland of her Taíno ancestors.
Hi! Looks like you first must log in below to view this Members Only content.
If you are not yet a member, and you would like to view this content, please click Join & Renew to pay for an annual membership.
If you Forgot Password - Reset here to receive an email with a reset link. Or, when you are logged in, click on Account from the menu above, then the Change Password link on that page.
“Moving from Lateral Oppression to a Culture of Kindness“ with Sherri Mitchell Thursday, May 2, 2024 at 3pm Eastern Time
“In this Salon we will look at shifting from lateral violence to lateral kindness as an expression of an emerging cultural paradigm. Lateral kindness is the reclamation of our pre colonial cultures and authentic identities, where care for one another was central to our survival and wellbeing. Respect is a key tenet to all healthy and intact cultures across the world.”
Lateral violence is the direct result of the colonial patriarchy that we have been subjected to for millennia. Shifting away from the embedded patterns of lateral violence and moving toward lateral kindness is the first step in creating a healthier path forward for us all. Replacing competition with community is a good starting point, as we have been consistently pitted against each other for access to opportunities and resources creating fractures and distrust. We must now work to rebuild reciprocal relationships and partnerships where wealth, prosperity, and success are redefined and where resources and opportunities are shared within and between communities.
Sherri Mitchell -Weh’na Ha’mu Kwasset, is an Indigenous attorney, activist, and author from the Penobscot Nation. She is an alumna of the American Indian Ambassador Program and the Udall Native American Congressional Internship Program. Sherri is the author of Sacred Instructions; Indigenous Wisdom for Living Spirit-Based Change and a contributor to more than a dozen anthologies, including the best-seller All We Can Save: Truth, Courage, and Solutions for the Climate Crisis and Growing Up Native in America.
Sherri is the Executive Director of the Land Peace Foundation, an educational organization dedicated to the protection and preservation of the Indigenous way of life and environmental equity and justice. She has worked with some of the largest NGO’s in the world on decolonizing relationships between Peoples and lands. She currently serves as a Trustee for the American Indian Institute, an Indigenous Advisory Council member for Nia Tero’s Indigenous Land Guardianship Program, and a board member for the Post Carbon Institute. Sherri is the recipient of several human rights and humanitarian awards, and her portrait is featured in the esteemed portrait series, Americans Who Tell the Truth. She is also the convener of the global healing ceremony – Healing the Wounds of Turtle Island, a gathering that has brought together more than fifty-thousand people from six continents to focus on healing our relationships with one another and with our relatives in the natural world.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Please note: The words on the powerpoint may appear blurred; we will add a clear copy as soon as possible. Sherri’s presentation covers all the important ideas found in the powerpoint. If you are interested in learning more about this topic, check out this article from The Coalition to Stop Violence against Native Women.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Save these dates for these upcoming ASWM Salons:
Thursday, May 16 , 2024 at 3pm Eastern Daylight Time:
with Jamie Figueroa, “Mother Island: A Daughter Claims Puerto Rico”
*****
Thursday, May 30, 2024 at 3pm Eastern Daylight Time
with Guadalupe Urbina, singer-songwriter/poet/artist/activist
Join us in this Salon as Lupe shares her music and paintings, and engages us in conversation on the love for the earth, women, and traditional wisdom.
Guadalupe Urbina is internationally known for her work as a singer and songwriter, and as a researcher of the oral tradition of her Guanacaste region of Costa Rica. To tell her story of identity and culture, she has ventured into painting, children’s stories and poetry as another extension of her musicality. She is an activist for the rights of women and girls, for Earth Rights. She is the founder of Casa Madremonte, an independent center dedicated to art, agroecology and spirituality inspired by the rainforest. She has published four books and recorded ten albums.
Guadalupe has performed in diverse venues in the three Americas, Europe and Central Africa, such as the Círculo de Bellas Artes or the Centro Cultural de la Villa in Madrid, the Hot Brass and the Maison de l’Amerique Latine in Paris, the Demba Diop Stadium in Senegal, Biarritz Film Festival, a One Woman Show in New York, and the Vancouver Folk Music Festival in Canada. And of course at many theaters, squares, streets, community halls, cafes and World Music festivals. She has received awards from the Círculo de Bellas Artes of Madrid, the América Prize from Radio France International, and the Association of Authors and Composers of Music ACAM has awarded some of her works; the album Trópico Azul de Lluvia in 2001, special recognition for her work compiling oral tradition in the album “Sones Afromestizos de Amor y de Humor” in 2018. She received the Reca Mora Award for a life dedicated to music in 2021 and the Song of the Year award for her song “La Cumbia de la Niña” in 2023.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
With gratitude to our presenters and volunteers, we are taking a break in offering Scholar Salons until later this year. Watch our Newsletter for announcements about the next series.
This Salon recording will also be available to members when processed after the event.
You must be logged in to post a comment.