2021 Program: Poetry Performance, “An Exaltation of Goddesses”

Annie Finch

As a special feature of our 2021 Symposium program, we are delighted to present a collaborative poetry performance in tribute to Marija Gimbutas. “An Exaltation of Goddesses” is a mythological tour of goddesses created by thirteen international poets.

The amazing poets/goddesses presenting include Annie Finch (*Friya), Jurgita Jasponyte (Zemyna), Ann Filemyr (Brigid) Marianela Medrano (Ataberya), Richelle Slota (Cybele), Mary Mackey (Xori), Yona Harvey (Nana Buruku), Monica Mody (Saraswati), Arundhati Subramaniam (Neeli Mariamman), Raina Leon (Nyx), Anna Halberstadt (Dalia), Purvi Shah (Kali), and Judy Grahn (Aruru).

“An Exaltation of Goddesses” is a creation of  Dr. Annie Finch and Poetry Witch Ritual Theater Productions.  It is scheduled for Friday July 16 at 5:30pm Eastern Daylight Time. It will also be available in the “On Demand” content page for viewing at other times.

Special thanks to Annie Finch and the talented women of the Poetry Witch Community for sharing their work in this unique celebration.  Annie says the Community “brings together women poets and poetry lovers, feminists, and women-centered spiritual seekers and practitioners from around the world. We practice poetry, scansion, and magic, weave webs of connection and empowerment–and explore the rhythmic languages of poetry and life–so we can learn to craft our lives and words in more joyfully powerful ways.”

A commemorative book of these 13 poems, along with each poet’s meditation on her Goddess, is being published in conjunction with the performance. Copies of this keepsake book, entitled An Exaltation of Goddesses: Poems for the Divine Feminine, are available from Poetry Witch Press.

 

 

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Conference Keynote by Navajo Poet Laureate Luci Tapahonso

Luci Tapahonso is Professor Emerita of English Literature (University of New Mexico 2016) and served as the inaugural Poet Laureate of the Navajo Nation (2013-2015). She is also the recipient of a 2018 Native Arts and Culture Foundation Artist Fellowship.

Tapahonso is the author of three children’s books and six books of poetry including A Radiant Curve. She recently served as a judge for Poetry Out Loud, the New Mexico High School Poetry Competition and was selected as “2016 Best of the City- Our City and State’s Prolific Authors,” by Albuquerque the Magazine. Professor Tapahonso has delivered keynote addresses at several conferences and institutions including Harvard, Gallup Central High School, Kenyon College, Institute of American Indian Arts, the Tbisili International Literature Festival in the Republic of Georgia and “Creativity Week” at the University of New Zealand at Auckland and Wellington.

She recently completed a script for an exhibition called “Creating Tradition: Innovation and Change in American Indian Art” for the American Heritage Gallery at Walt Disney World’s Epcot. Her work is included in the exhibition currently touring the country: “Hearts of our People: Native Women Artists at the Minneapolis Institute of Art,” as well as the podcasts “The Slowdown with Tracy K. Smith” and forthcoming on “In Sickness and Health” with Dr. Celine Grounder.

Luci Tapahonso lives in Santa Fe with her husband, Dr. Robert Martin, who is president of the Institute of American Indian Arts.

Featured Photo by Juliana Lightle

2018 “Winter Warmer” Film Screenings

Again this year we are providing the member benefit of special screenings for films by and about women. These films are accessible through the member section of our website. To get the 2018 member access code, join or renew and we will send you the code. To find out more about what we are doing, and to learn more about films we have screened, contact the ASWM film group.

Here are this year’s selections:

The Girl from God’s Country (2014), written and directed by Karen Day

In the 1920s, Nell Shipman was the first female independent film maker to pioneer the nude scene and advocate for animal welfare. Shipman wrote, directed, produced and acted in movies portraying women as self-reliant heroines. This film reveals the forgotten legacy of Shipman and a generation of female silent film pioneers, including rare footage of these women, including minority filmmakers Zora Neale Hurston and Miriam Wong. Geena Davis and women directors discuss gender-inequities Nell and her counterparts faced that perpetuate in today’s film industry.

The Passionate Pursuits of Angela Bowen (2016), a film by Jennifer Abod

For six decades Angela Bowen, classical dancer and teacher, black lesbian feminist activist, and professor has influenced and inspired untold numbers speaking out as strongly for the Arts, Black and Women’s Rights as she has for Lesbian and Gay Rights. The film depicts Bowen’s life across the decades, from the early fifties, with historic footage, photographs and interviews. Bowen’s candid and compelling stories allow us to understand how race, class, gender, age, and sexuality played into her decisions and choices, her mission, and strategies for survival. Passionate Pursuits is intended to challenge and inspire diverse audiences to pursue their own dreams with tenacity and courage, but not for themselves alone.

Let’s Get the Rhythm (2014) a film by Irene Chagall

Music is central to our lives. Mothers soothe their babies with gentle rhythm and melody. Music is one of the oldest arts, a vehicle for learning, present in all cultures. Let’s Get the Rhythm captures girls’ handclapping games from inner city playgrounds and across the world… from every continent… and islands in between. Girls from diverse cultures – from Brooklyn to Tanzania – charm us as they learn and share while expanding their experience. Drawing attention to the social importance of girls’ games, the film features footage from far-flung locations as well as ancient Egyptian reliefs. Let’s Get the Rhythm accentuates the beauty of the beat with compelling observations on the empowering force on the lives of girls, women and humanity.

Once again we will have the films available for a month, until March 7. This year we have adjusted the times of our conference calls to include our friends in the UK. You may see the films at any time, and we hope that you’ll fill out review forms so that we will be able to share comments with the filmmakers.

The call in number is available on the member only page.