Call for Proposals ASWM 2017 Symposium

The deadline for submissions for 2017 has passed.  This call for proposals is for information only

Mythology, Women and Society: Growing the Groundswell
March 25 2017, Pendle Hill, Philadelphia, PA  

In the current era women are stepping into leadership in increasing numbers in social, political and cultural debates around gender, race, ethnicity and other inequalities. Across the globe, women are running for political office with stated interest to advance gender parity in the political area and to better living conditions for all people. In other contexts, feminist leadership with power-sharing and solidarity are changing the political landscape and opening possibilities.
At this time of inclusion of women’s voices in our socio-political arenas, we as scholars of the divine feminine raise the following questions for consideration for the 2017 ASWM Symposium: How can the study of women and mythology contribute to our current conversations about women, justice, and society? How can examination of contemporary and historical mythology of the feminine divine illuminate individual and collective ways of thinking, acting and being, to protect the earth and her inhabitants from war, violence, exploitation, and suffering? Rather than merely reacting to injustice, how may we inspire conversations about solutions? How do matriarchal cultural and spiritual traditions surface unheard voices and enact justice? To such ends, how do cultures around the globe invite, invoke, and listen to the feminine divine?
Globally, Goddess mythologies illustrate definitions and dimensions of societies rooted in balance, gender equity, and reverence for the earth and her creatures, simultaneously providing language to articulate grief and loss, joy and harmony. In the spirit of celebrating women taking leadership we invite papers, panels, and workshops including, but not limited to the following topics:
• The divine feminine and foundational societal myths
• Images of justice and feminine-oriented spiritual practices
• Nationalisms, patriarchy, political violence, and goddess myths
• Mythologies and goddesses of justice, peace, and refuge
• The divine feminine and community solidarity
• Mythologies and goddesses of transitions, liminalities, and migration
• Goddess myths of justice, social order, and national virtues
• Goddesses of death, mourning, and loss
• Divine interventions for out-of-balance human behavior
• Goddess myths and resisting violence
• Feminist spiritual traditions that inspire power-sharing, justice-seeking, and groundswelling movements of liberation
• Priestesses and goddesses of justice, transformation, and liberation
• Herstorical and mythological instances of coalition, justice, and groundswell/uprising
• Cross-cultural, feminist spirituality theories that enable previously suppressed voices and positions
We especially encourage proposals from Native American /indigenous scholars and women of color.  Papers should be 20 minutes; panels with up to four papers on a related topic may be proposed together. Workshop proposals should be organized to provide audience interaction and must clearly address the theme. All sessions and workshops are limited to 90 minutes.

Presenters from all disciplines are welcome, as well as creative artists and practitioners whose work engages mythic themes in a scholarly manner. Presenters must become members of ASWM.

Send 250 ¬word abstract (for panels, 200 word abstract plus up to 150 words per paper) in PDF or MSWord to aswmsubmissions@gmail.com by Nobember 1, 2016. Use “2017 proposal” and last name in subject header. Include bio of up to 70 words for each presenter, as well as contact information including surface address and email. See www.womenandmyth.org for program updates and registration.

Conference Keynote: “Dark Ecology, The Bear Mother and Other Ecological Teachers and Guides”

Cristina Eisenberg
Cristina Eisenberg

Dr. Cristina Eisenberg will present the Saturday keynote for our 2016 conference.  This cutting-edge presentation will weave a web of connections among animals, humans, myths and foremothers.

Dark Ecology is a post-modern philosophy based on the premise that there is no division between the human and the non-human. For millennia, animals and humans shared ecosystems, moving together in a trophic, spiral dance, celebrating life across the ebb and flow of the seasons through birth and death, great migrations, the sanctity of the hunt. Modern humans imposed a mechanistic, anthropocentric, masculine view of the world, one based on human dominion over nature. Today we know that such beliefs are completely untenable and have led to the ecological wreckage we see worldwide. As we strive to mend the tangled web of life and repair the damage we’ve wrought to whole ecosystems and all the beings that inhabit them, the animals, particularly animal mothers, are functioning as guides as they always have. These animals are teaching us profound lessons in dark ecology: what it means to be human and nonhuman and how there really is no dividing line, how we are but part of the same continuum. Their lessons will enable us to live more rightly on the earth and restore the planet and our human spirits. Cristina Eisenberg will share some of the lessons she’s received from animal mothers she’s known and others that have shaped her work as a scientist. She will discuss the bright chimeric hope these animal teachers have to offer to humanity.

2016 Conference: What You Need to Know (with Links)

BeeG.oldgold

WELCOME to our 2016 Conference blog.

Important links are listed below, or you may scroll through this blog to see all posts about the conference.  Here you will find articles about the program, presenters, and special opportunities.

Our pre-conference registration deadline has now passed.  We will accept walk-in registrations on Friday, April 1, starting at 7:30 AM.
Accommodations are at Boston Marriott Hotel Burlington:

Book your group rate for The Association for the Study of Women & Mythology

Learn about our keynoters: Dr. Elinor GadonDr. Lucia Chiavola Birnbaum, and Dr. Cristina Eisenberg.

Register for Matriarchal Studies Day here (March 31, the day before our coference, at the same location, but with separate registration) or contact cichon @ oakton.edu

See our Schedule: 2016 ASWM Schedule_Mar_23_book

Read about the new anthology and authors readings:  Foremothers of the Women’s Spirituality Movement:  Elders and Visionaries

Read about Mythica:  A Photography Exhibit by Lisa Levart

See our special Saturday night offering, Yemanjá: Wisdom from the African Heart of Brazil , a film by Donna Roberts and Donna Read, narrated by Alice Walker.

Stay for this Sunday workshop with Vicki Noble and Julie Felix:  TRANSFORMATIONAL HEALING RITUAL in Boston (Medford)   Sunday, April 3rd, from 2:30 – 5:30 pm   Bring drums and rattles. Please RSVP to Nouri Newman nourinewman@comcast.net. 

And their special workshop on the Cape on Monday:  Women’s Evening of Sacred Practices

 

 

 

Who’s Presenting in 2016? Cristina Eisenberg & Cristina Biaggi

Cristina Eisenberg
Cristina Eisenberg

Cristina Eisenberg

“Wilderness is one of our best defenses against climate change.”

Cristina Eisenberg is Chief Scientist for Earthwatch Institute, a Smithsonian Research Associate, and science consultant for many prestigious organizations in the US and Canada. Her research has investigated trophic cascades and the effects of predators on landscape health and biodiversity. She has emerged as a leading voice for wilderness and large predator conservation in North America.

Cristina is the author of The Wolf’s Tooth and The Carnivore Way: Coexisting with and Conserving America’s Predators. Matt Miller, reviewing The Carnivore Way for Cool Green Science, (June 12, 2014) says

“Eisenberg is the perfect scientist to write this book. She lives in a Montana cabin where she encounters the predators of which she writes: wolves, mountain lions, grizzly bears, lynx. . . .Her research and review of the literature leave her convinced that large predators are essential for landscape health, and vital for our own values of wildness and wonder.”

“In order to create change, you have to engage people, and you have to not just engage their minds. You have to engage their hearts, and that means telling our stories. . . . In terms of carnivore conservation, we need to build community. We need to have that solid science, and we need to find a way to share our story.”

Cristina Eisenberg’s special conference presentation is entitled “The Role of the Traditional Ecological Knowledge in an Era of Global Change.”   She will discuss the changes taking place from ecological, ethical, and feminine mythological perspectives, and how the values embodied by Traditional Ecological Knowledge across world cultures contain the elements essential for human survival and for the wellbeing of all life on Earth.

“Traditional Ecological Knowledge that taps into the divine feminine can teach us much in terms of how to live more rightly on this Earth, how to heal the damage we have done, and how to mitigate, adapt to, and slow the processes that threaten every living being today. ” 

Cristina Biaggi

Sculptor/scholar Cristina Biaggi
Sculptor/scholar Cristina Biaggi

The Great Goddess,  in whatever manifestation she was depicted,  was the supreme deity in the Paleolithic and Neolithic period throughout the world.  She has re-emerged in the 20th and 21st century as an apt symbol of woman’s growing consciousness and importance.  The need to make the Goddess accessible through art as an embodiment of “feminine sensibility” is becoming extremely important in this world of growing militarism.

Cristina Biaggi, artist, activist and scholar, has achieved international recognition as a sculptor of bronze and wood pieces. Using the theme of interconnection, she has also created large outdoor installations, and has explored collage in the two and three dimensional form. Her work has been exhibited throughout the United States, Europe and Australia. She is a respected authority on the Great Goddess, Neolithic and Paleolithic prehistory, and the origin and impact of patriarchy on contemporary life.

“I create my sculptures inspired by these ideas.  Sculpture in the Western world has lost the mystical magical presence that it had during the Neolithic period when a temple or a sculpture was considered to be the body of the deity.  In creating my sculpture, I wish to bring back some of this magic and mystery.  I want to create a space that inspires mystery; that evokes the dark caves of the Goddess – places of rebirth and revitalized consciousness.”

“Cristina Biaggi’s work –seminal, gorgeous, provocative. No one like her!” Olympia Dukakis, Film and Stage Actor

 Cristina’s presentation “Matriarchy as Inspiration for Art”  is included in the Panel: Matriarchal Studies: Past Debates and Present Practices