“Shepenwepet II Kushite God’s Wife of Amun”

with Dr. Solange Ashby

Thursday,  February 8, 2024 at 3 PM Eastern Time  

REGISTER HERE

 

Early European visitors and researchers viewed their findings in Egypt through a narrow lens of cultural assumptions. Dr. Solange Ashby provides us with a corrective to persistent but outmoded theories, making clear that Nubian women held roles of ritual, political, and economic power in the Twenty-fifth Dynasty.

Shepenwepet II was a royal woman of the Kushite dynasty from ancient Nubia (now northern Sudan) who arrived in Egypt during the time of her family’s reign as Egypt’s Twenty-Fifth Dynasty (747-656 BCE). She was the daughter of king Piankhy and sister of the pharaoh Taharqa. Shepenwepet herself held the powerful religious and economic role of the God’s Wife of Amun (GWA), the highest-ranking religious leader of the preeminent temple of Amun at Karnak (Thebes/Egyptian: Waset).

This paper will explore the religious rites performed by the GWA as related to the Beautiful Feast of Valley and the Decade Festival. Both of these celebrations consisted of processions from the temples of the east bank of the Nile (primarily Karnak) across the river to visit various temples on the west bank of the river (Small Temple of Amun, funerary complex of Hatshepsut at Deir el Bahari, and the temple-tombs in the Asasif and South Asasif areas). The Kushite revival of the office of God’s Wife of Amun, created for the earlier queens of the Eighteenth Dynasty (ca. 1520 BCE), incorporated new elements of the central role played by royal women in Kush. Shepenwepet II represents the trifecta of power – ritual, political, and economic.

Solange Ashby received her Ph.D. in Egyptology from the University of Chicago. Dr. Ashby’s expertise in sacred ancient languages, including Egyptian hieroglyphs, Demotic, and Meroitic, underpins her research into the history of religious transformation in Northeast Africa. Her book, Calling Out to Isis: The Enduring Nubian Presence at Philae, explores the temple of Philae as a Nubian sacred site. Her second book explores the lives of five Nubian women from history including queens, priestesses, and mothers. Dr. Ashby is an Assistant Professor in the department of Near Eastern Languages and Cultures at UCLA where she teaches Egyptology and Nubian Studies.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Save the date for this upcoming ASWM Salon:

Why Brigit was Born at Faughart, Co. Louth with Dr. Mary Condren

February 22, 2024 at 12 NOON Eastern Standard Time

The Salon recording will also be available to members after the event. 

“Strength, Creation, Love, and Transformation: Telling the African Goddesses“

with Vanessa Johnson

Thursday,  January 25, 2024 at 3 PM Eastern Time  

REGISTER HERE

 

“Women who speak for themselves have the authority to control their lives. By telling our stories, women talk themselves out of the world of silence and invisibility, and into the world of strength, creation, love, and transformation. Our voices center our existence in the eternal line of creation that the first African women birthed on this planet.  Telling the stories and legends of African Goddesses rejects patriarchy as the central power of spirituality and shifts traditional male bound forms of spiritual discourse. Remembering the voice of the African Goddesses is a transformative process which reclaims the African roots of our female existence.” Vanessa Johnson shares these powerful stories and legends of African Goddess of the Motherland and of the African Diaspora.

Vanessa Johnson is a Griot, a Storyteller in the West African Tradition.  She is a Writer, a Playwright, an Actor, a Fiber Artist, Museum Consultant, Community Activist, Historian, an Educator and Teaching Artist. In addition to many projects as a visual artist and activist, she has acted in numerous plays and has written, directed, and produced children’s plays; her own play “Doors” was produced in May 2014, by the Paul Robeson Performing Arts Company of Syracuse. She is the Founding Director of Syracuse Africa Bound, which provides youth from 12-18 years old the opportunity to explore African Cultures, and to take part in educational travel and service opportunities in Ghana West Africa. Vanessa is the Artist in Residence for the Matilda Joslyn Gage Foundation in Fayetteville, N.Y., and as a consultant, designed the museum’s Underground Railroad Room. She has served as the Gage Foundation Community Liaison for their Girl’s Ambassadors for Human Rights Program. She has been the Gage Ambassadors for Human Rights Program Director from 2016 to the present. She is the recipient of a Melon and Ford Foundation Creatives Rebuild NY Grant for 2022-2024.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Save the date for this upcoming ASWM Salon:

Thursday February 8 at 3 PM Eastern Time

“Shepenwepet II Kushite God’s Wife of Amun”  with Dr. Solange Ashby

The Salon recording will also be available to members after the event. 

“Matriarchal Societies of the Past and the Rise of Patriarchy”

with Heide Goettner-Abendroth

Thursday,  January 11, 2024 at 12 NOON Eastern Time  

REGISTER HERE

 

 

This new book by Dr. Heide Goettner-Abendroth is about re-writing the history of cultures from a non- patriarchal perspective, bringing the forgotten matriarchal epoch to light again. It is based on her pioneering anthropological research on still extant matriarchal societies worldwide, which provided her with a new definition of “matriarchy” as mother-centered, consensus based, and thus egalitarian societies.

This is her background for re-examining the history of cultures. She criticizes patriarchal prejudices which abound in archaeological interpretations, and their blindness toward the great variety of human social forms. By going deeper into this material and including new archaeological finds, she is able to develop a completely different picture of the earliest cultural epochs, which were decisively formed by the inventions of women, by motherhood and maternal values.

Additionally, she gives a logical and detailed explanation for the rise of patriarchy, which is based on archaeological field work and not on speculation and, therefore, has a high degree of validity. She also shows by the examples of the Eurasian Steppe and Europe as well as Mesopotamia that patriarchal patterns developed in very different ways in different cultural regions, so that patriarchy did not arise once, but manifold in different countries and continents, and at different times. In these cultural regions, the range of the book includes the development from the Palaeolithic via the Neolithic and the Bronze Age to the Iron Age. In this vast field, the author creates revolutionary new insights.

Heide Goettner-Abendroth is a mother and a grandmother. She earned her Ph.D. in philosophy of science at the University of Munich where she taught for ten years (1973-1983).  She has published on philosophy of science, and extensively on matriarchal society and culture, and through her lifelong research on matriarchal societies has become a founder of Modern Matriarchal Studies. Her first magnum opus: Matriarchal Societies. Studies on Indigenous Cultures across the Globe, defines the topic and provides a world tour of examples of contemporary matriarchal cultures. It has been translated and published in several languages.

With her new book, her second magnum opus: Matriarchal Societies of the Past and the Rise of Patriarchy, she broadens her research, bringing the forgotten matriarchal epoch in early history to light again. She has been visiting professor at the University of Montreal in Canada, and the University of Innsbruck in Austria. She lectured extensively at home and abroad. 

In 1986, she founded the “International ACADEMY HAGIA for Matriarchal Studies and Matriarchal Spirituality” in Germany, and since then has been its director. In 2003, 2005 and 2011 she organized and guided three World Congresses on Matriarchal Studies in Europe and the U.S.A. She has twice been nominated for the Nobel Peace Prize, in 2005 by a Swiss initiative and in 2007 by a Finnish initiative.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Save the date for this upcoming ASWM Salon:

Thursday January 25 at 3 PM Eastern Time

“Strength, Creation, Love, and Transformation: Telling the African Goddesses”  with Vanessa Johnson

The Salon recording will also be available to members after the event. 

“Shapeshifting Lands of Lāhainā, Maui: Mo’o and Moku’ula”

with Mahealani Ahia

RESCHEDULED

Thursday,  November 30, 2023 at 3 PM Eastern Time  

REGISTER HERE

We are pleased to be able to offer this Salon again following technical failures during the original event.

Following the devastating fires on August 8, 2023, in Lāhainā, Maui, there has been a call for a restoration of the sacred lands of Mokuʻula, once the seat of Hawaiian government and home to the great akua moʻo (reptilian water deity) Kihawahine. In this kairotic moment, my dissertation research entitled “Shapeshifting Hawaiian Biography: The Life and Afterlives of Kihawahine” intends to share a longer and richer story than tourist and colonial myths have perpetuated of this famous site. My project is an Indigenous Hawaiian biography centering Kihawahine —daughter of 16th century Maui high chief Piʻilani— who was ritually deified into a guardian akua moʻo and later elevated to island-wide worship under Kamehameha. Shapeshifting moʻo are kiaʻi wai, the most revered and feared water protectors. The study of Kihawahine’s life, afterlife, and multiple body forms—giant lizard, white dog, spider—invites deep examination of Hawaiian history, religion, politics, culture, art, and language.

By historicizing various re-tellings and interpretations of her story across time and region, I map the meanings and intentions behind keeping her image alive for each successive generation. The story of Kihawahine is found in many sources including Hawaiian-language newspapers, missionary journals, ship logs, archaeological reports, oli (chant) and hula (dance). Her kiʻi (ritually carved wooden image) is currently sailing around the world aboard the Hōkūleʻa voyaging canoe. Unfortunately, another kiʻi sits behind glass in the Berlin Ethnological Museum. By sharing these stories, Kānaka ʻŌiwi hope our voices will aid in the repatriation of our ancestral kiʻi, restoration of sacred Mokuʻula, and return of our life-giving waters.

Māhealani Ahia is a Los Angeles-born Kanaka ʻŌiwi artist, scholar, activist, songcatcher and storykeeper with lineal ties to Lāhainā, Maui. With a background in theatre arts, writing and performance from U.C. Berkeley and U.C. Irvine, Māhea is committed to creating artistic and academic projects that empower Indigenous feminist decolonial research. Her Master’s Degree in Mythology and Psychology from Pacifica Graduate Institute focused on cultural trauma and the power of stories and chanting to heal. As a PhD candidate in English (Hawaiian Literature) and a graduate certificate student in Women, Gender and Sexuality Studies at the University of Hawaiʻi at Mānoa, her dissertation research “Shapeshifting Hawaiian Biography: The Life and Afterlives of Kihawahine” inundates biography’s genre boundaries as it theorizes feminist power and leadership within the moʻo (reptilian water deity) clan. Māhea teaches courses like Indigenous Feminisms, Island Feminisms, Creative Writing for Healing. She serves as editor for Hawaiʻi Review and ʻŌiwi: A Native Hawaiian Journal and is co-organizer of the Mauna Kea Syllabus Project.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Save the date for this upcoming ASWM Salon:

January 11, 2024  NOON Eastern Time

“Matriarchal Societies of the Past and the Rise of Patriarchy”

with Dr. heide Goettner-Abendroth

The Salon recording will also be available to members after the event. 

“The Legacy and Art of Lydia Ruyle“

with Katie Hoffner

Thursday,  November 16, 2023 at 3 PM Eastern Time  

REGISTER HERE

Lydia Ruyle was an internationally recognized artist, scholar and author researching the Divine Feminine.  Her most well-known body of work were her monumental series of goddess icon banners, or as she affectionately called them the “girls.”  She started birthing and creating them when she was 60 years old – and worked on them right up until her death at 80, in February 2016.  Creating the Goddess banners became her mission; she was devoted to telling a new story, “a new HERstory in a visual way with representations of the Divine Feminine from across the globe.” There are now over 300 banners in the collection, and they have literally flown all over the world from Machu Picchu to Ephesus to Tibet to her hometown in Greeley, Colorado.  

Lydia was an artist scholar emeritus of the Visual Arts Faculty of the University of Northern Colorado, where the Lydia Ruyle Room for Women Artists was dedicated in 2010. In April of 2013, the University presented her with a Lifetime Achievement Award.

One of ASWM’s founding advisors, Lydia led workshops and panels on a wide variety of goddesses, and consulted generously with Sid and Pat  during ASWM’s creation and growth. From the time of our earliest events, Lydia brought her banners to set the tone for conferences.  ASWM’s Brigit Award for Excellence in the Arts, given to Lydia in 2013, summarized her work this way:

“Few artists can claim to have profoundly expanded and improved contemporary images of women. Lydia Ruyle is beloved around the globe for her stunning presentation of multicultural goddesses and symbols of divinity. This award recognizes not only this great body of work but also Lydia’s dedication to scholarship in researching these diverse, inspiring images.”

This celebratory Salon answers the question so many people are asking: Where are Lydia’s “girls” now?

Katie Hoffner, Lydia’s niece and journey-mate, is the guardian of her Aunt Lydia’s collection of goddess banners. Katie  is a community leader and social change maker focused on protecting the environment and improving the lives of women. Katie will share stories of the travels of the banners, with a special focus on how relevant and important elevating the sacred feminine is today.  Katie will take us through a short odyssey of the places Lydia’s banners have appeared since her beloved YaYa “changed addresses,” and will give us a glimpse into future plans for “the girls” and the preservation of Lydia’s legacy. And she leaves us with Lydia’s observation about beloved family: “I consider my title, Aunt Lydia, a noble one.  If you believe you choose your parents when you are born into this world, then I must also believe you choose your aunts too.” 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Save the date for this special upcoming ASWM Salon:

November 30, 2023 at 3:00 PM

“Shapeshifting Lands of Lāhainā, Maui: Mo’o and Moku’ula”

with Mahealani Ahia

This Salon presentation replaces the originally scheduled event that had technical issues.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Following a holiday break, Salons will  resume next year:

January 11, 2024 

“Matriarchal Societies of the Past and the Rise of Patriarchy”

with Heide Goettner-Abendroth

The Salon recording will also be available to members after the event.