ALL ABOUT THE ASWM 2027 CONFERENCE

Check back often for more information about our exciting program for 2027!

"Connected to the Divine" by Dana Driscoll, 2026
“Connected to the Divine” by Dana Driscoll, 2026

BOOK YOUR ROOM HERE FOR CONFERENCE RATE at the Wyndham Philadelphia Historic District Hotel

IMPORTANT LINKS AND INFORMATION

For the 2027 conference, ASWM has one scholarship available for a graduate student whose proposal is accepted and who is presenting in a field related to Womenโ€™s Spirituality. The Dr. Mara Lynn Keller Graduate Student Conference Participation Scholarship is made possible by a generous bequest of pioneering scholar, teacher, and visionary Dr. Mara Lynn Keller.  


All membership levels grant access to members-only content, events and conference discounts. JOIN US!

  • discounts for event registration and publications
  • online salons and events
  • online art galleries
  • mentoring of graduate student members
  • contact with international members
  • conference internships for student member volunteers
  • dissertation database
  • online abstracts of conference papers
  • resources for teaching, research, and publishing

Thanks to Dana Driscoll for the beautiful painting that we use to identify information about the conference. Read more about her work here.

Announcing Scholar Salon 106 Register for November 19

“MEETING LILITH, THE FIRST WOMAN and amulets to counter Her, borne of patriarchal fears & rabbinic fantasies”

with D’vorah J. Grenn

Thursday,ย  November 19, 2026 at 3:00 PM Eastern Timeย ย 

REGISTER HERE

Babylonian Incantation Bowl, c. 5th-8th C. CE, The National Library of Israel

In Lilith, the first mythological woman before Eve, we see the power of an archetype. The change in public perception of Lilith as a Mesopotamian goddess, to someone later painted as a demonic figure, came about as patriarchy took root; her portrayal grew worse over time. However, starting in the last third of the 20th Century many returned to seeing Lilith as a goddess, as a positive feminist role model, or as a paradoxical figure embodying some of our best and worst qualities.ย ย 

As weโ€™ll see, through literature and amuletic images starting in the 2ndย  millennium BCE, Lilith was once a deity on whom women could call for protection during pregnancy, childbirth and at other times. But Her later image became that of a child-stealing witch, a succubus, one who made children sick, or worse. Did both women and men support the demonized version of Her?ย ย 

Birth amulet and incantation against Lilith, Israel, 1864

Today some still envision Lilith as a negative force; for others, She personifies self-sovereignty, and a free-thinking, sexually autonomous being. However we picture Her, Lilith remains alive in our imaginations, in popular culture, in art, writing, film, music, across the globe. She leads us to question authority and the status quo. That is Her power.

Dr. D’vorah j. Grenn

D’vorah J. Grenn, Ph.D is a Yoreshet/lineage holder of a female Kabbalist tradition, En-Kohenet/priestess and ordained Mashpiโ€™ah/spiritual guide. She founded The Lilith Institute (1997), co-directed the Women’s Spirituality MA Program at ITP/Sofia University and has taught at Napa Valley College and throughout the San Francisco Bay Area on womenโ€™s rituals, feminist thealogy and philosophies, sacred arts and literature, and Jewish mysticism. She co-teaches on the Kabbalistic Tree of Life with Reb Nadya Gross; they recently co-produced their second symposium, โ€œWisdom of the Mothers: Honoring Our Ancestral Rootsโ€ and will offer a โ€œWisdom of the Mothers: Sacred Arts, Embodied Knowingโ€ Virtual Symposium on May 16-17, 2027.

ย D’vorah’s publications include: Lilithโ€™s Fire: Reclaiming our Sacred Lifeforce; Talking to Goddess, an anthology of writings from 72 women in 25 traditions; โ€œLilithโ€™s Fire: Examining Original Sources of Powerโ€, Feminist Theology Journal; Jewish priestess and Lilith entries in Encyclopedia of Women in World Religions; โ€œFor She Is A Tree of Life: Shared Roots Connecting Women to Deityโ€, her dissertation on beliefs and rituals among U.S. and South African Lemba women of Jewish ancestry, and โ€œSpiritual Brokenness and Healing Presence of the Sacred Feminineโ€, FEMSPEC feminist journal. She has been a guest on podcasts including the Revelation Podcast Project and Breaking Down Patriarchy; was a featured speaker in the โ€œCrones, Hags and Elder Wise Womenโ€ Summit, and co-hosted 50 episodes of the โ€œTending Lilithโ€™s Fireโ€ broadcast with Kohenet Annie Matan.

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Check back for Salons beginning on January 14, 2027

Benefit of Membership - ASWM

This Salon recording will also be available to members when processed after the event.ย 

 

Announcing Scholar Salon 105: Register for November 5

โ€œMarija Gimbutas: A Model of Grace and Courage in the Face of Adversity when Pursuing the Truth”

with Joan Marler and Susan Moulton

Thursday,ย  November 5, 2026 at 3:00 PM Eastern Timeย ย 

REGISTER HERE

Dr. Marija Gimbutas

For most of human history the principle of the sacred feminine cycle of life, death and regeneration fundamental to all sentient life in Nature prevailed. Since the shift from Matrifocal to Patriarchal cultural values however, women and Nature have been dismissed, subordinated, and their voices are often silenced or ignored. ย Marija Gimbutas and other women of distinction in history who have achieved remarkable insights in all fields have had their achievements appropriated by men while they have been publicly ย demeaned, ignored or dismissed.

M Gimbutas seminar in Sitagroi village (1968)

We would like to discuss the practices women have developed to ย circumvent obstacles in their paths, in order to have their wisdom heard and to stand up for the truth. Gimbutas, remarkable women from the past like Mileva Marรญc (Einstein) who actually made the scientific breakthroughs her husband claimed, and many of us today have found ways to model behavior, courage, strength ย and grace in our search for truth in the face of hostility, disrespect and disregard. We would like to honor those brave, wise foremothers and share ย some of their methods and responses to help us during this time of growing misogyny and global ecological crisis as we engage in our own search for truth.

Joan Marler Portrait
Dr. Joan Marler

Dr. Joan Marler earned a BA in Dance and the Liberal Arts, Mills College, Oakland; MA in Archaeomythology, Sonoma State University, Rohnert Park; PhD in Philosophy and Religion, California Institute of Integral Studies, San Francisco. She edited The Civilization of the Goddess by Marija Gimbutas and has lectured internationally on Gimbutasโ€™s life and work. Joan taught dance and archaeomythology for more than 30 years and is the Director of the Institute of Archaeomythology and edits its online Journal. She is the winner of the 2025 ASWM Kore Award for Best Dissertation in Women and Mythology.

Susan Moulton with two of her teachers

Dr. Susan Moulton ” I have lived with animals from an early age and began riding horses at the age of 3. For the past 52 years I have lived in Rural Sonoma County on a small farm with an array of rescued animals including 5 llamas, numerous horsesยญ currently a BLM rescued mustang and a thoroughbred, 2 donkeys, goats, ducks, parrots (one of which saved my life 3 years ago, but thatโ€™s a story for another time), dogs, cats, turtles, varying numbers of deer and a flock of 10-30 wild turkeys. I have learned a lot from each species, particularly using what I had learned from them to raise my 2 boys. To support my lifestyle, I was a university professor at a small university in Northern California for 44 years, preparing and teaching over 100 different art and art history courses. Currently I am finishing a book that combines everything I love: animals, art history, archaeology, and ecology.”

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Upcoming Salon

Scholar Salon 106:

Thursday, Novemberย  19 at 3 PM Eastern Time

MEETING LILITH, THE FIRST WOMAN: Amulets created to counter Her, patriarchal fears & rabbinic fantasies

with Dr. D’vorah Grenn

Benefit of Membership - ASWM

This Salon recording will also be available to members when processed after the event.ย 

 

Announcing Scholar Salon 104: Register for October 22

โ€œHow I Found the Lost Goddesses of Early Greece in the Emergence of the Women’s Spirituality Movementโ€

with Charlene Spretnak

Thursday,ย  October 22, 2026 at 3:00 PM Eastern Timeย ย 

REGISTER HERE

The Muses–matintheworld/depositphotos

During the mid-1970s, interest in womenโ€™s spirituality bubbled up in feminist communities across the country. One of the major nodes (the other was Boston) was the San Francisco Bay Area. Charlene Spretnak reflects on the energizing sense of discovery; the collective thrill of exposing the patriarchal grip on our cultural, social, and spiritual history (and pre-history!); and the synergistic flow of creativity and mutual support that yielded diverse works and paths into womenโ€™s authentic spiritual experience.

Persephone, Hermes, Hekate and Demeter

Among the many early books, gatherings, and personal practices that emerged was her book Lost Goddesses of Early Greece (1978), which she feels owes much to that heady time and place. Charlene Spretnak will read a few of the pre-Olympian, pre-patriarchal myths from the book, reconstructed for the first time in more than 2500 years. The first ebook edition of the book was recently published by Womenโ€™s Spirituality Studies Press. She will also discuss her article โ€œGoddess Time,โ€ commissioned for The Brooklyn Rail in 2025, which continues the story that began fifty years ago, particularly regarding a prominent scholar and a pioneering Womenโ€™s Spirituality artist.

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Charlene Spretnak

Charlene Spretnak is the author of nine books on cultural history, religion and spirituality, feminism, Green politics, and ecological thought. Her first book, Lost Goddesses of Early Greece, was among the initial books that sparked the emergence of the Womenโ€™s Spirituality movement in the mid-1970s. Goddess spirituality was one of the four orientations presented in her book on modernity and religion, States of Grace (1991). In 2011 her article โ€œAnatomy of a Backlash: Concerning the Work of Marija Gimbutasโ€ was published in the Journal of Archaeomythology. She has brought a focus on dynamic interrelatedness to her engagement with the pre-Olympian mythology of Greece; the emergent Women’s Spirituality movement; the ecofeminist movement; the emergent Green Party movement in Europe and the United States; the spiritual dimension of Green politics; the rising tide of eco-social solutions to the crises of modernity; the cancellation of the symbolic, cosmological, and mystical dimensions of the Virgin Mary when the Catholic Church modernized itself; new discoveries that have led to the Relational Shift in many fields; and the vast spiritual dimensions of modern and contemporary art, which are largely unacknowledged by the professional art world and art history. Her book The Resurgence of the Real was named by the Los Angeles Times as one of the Best Books of 1997. In 2012 she received the Demeter Award for lifetime achievement as “one of the premier visionary feminist thinkers of our time” from the Association for the Study of Women and Mythology. She is a professor emerita in religion and philosophy. She lives in Ojai, California. Website: www.charlenespretnak.com .

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Upcoming Salon

Scholar Salon 105:

Thursday, November 5 at 3 PM Eastern Time

Marija Gimbutas: A Model of Grace and Courage in the Face of Adversity

with Joan Marler and Susan Moulton

Benefit of Membership - ASWM

This Salon recording will also be available to members when processed after the event.ย 

 

(VIDEO) 2021 Program: Music by Kalnas Ensemble

New Compositions Inspired by Lithuanian Folk Music

Our 2021 program is enhanced by the inclusion of performances by  accomplished musicians and composers. These performances are included during interludes between sessions, and are also available to view at any time in our PUBLIC LIBRARY.

We are pleased to be able to present new works performed by the Kalnas Ensemble. The Ensemble, which began performing right before the pandemic shutdowns, has happily recovered from that hiatus to be able to record recent concerts. The Ensemble is a string quartet focusing on Lithuanian musical roots, exploring compositions of Stanley Chepaitis with improvisatory overtones, as well as performing standard quartet repertoire. The ensemble is a diverse group of multi-talented individuals with a commitment to engaging audiences with a dynamic approach to live performance. In addition their wide spectrum of knowledge and interests allows them offer workshops and other interactive presentations that enhance the meaning and experience of the music they perform.

The Kalnas Ensemble, 2021

Dr. Chepaitis has provided these original folksongs that inspired his compositions:

 

The Kalnas Ensemble is:

Dr. Stanley Chepaitis, founder, composer, and Violinist, holds a Doctor of Musical Arts Degree and a Master of Music, as well as a Performer’s Certificate from the Eastman School of Music. He is a versatile performing and recording artist who is at home in a classical string quartet, a jazz band, and anything in between.  His career spans fifty years in which time he has performed nationally and internationally, composed and premiered his own works, and recorded seven CD’s mostly of original music. Dr. Chepaitis has been at the forefront of the Alternative Styles Movement having had a leading role in ASTA Alternative Styles Conferences.

Swana Chepaitis, Violinist,  received a diploma in Violin Performance and Pedagogy from the Hochschule fรผr Kรผnste in Bremen Germany. She studied with Maria Grevesmรผhl and Baroque violin specialist Christoph Heidemann. She has been a member of L’arco (a professional Baroque orchestra based in Hanover, Germany), the Litton String Quartet. Mrs. Chepaitis currently performs with the Johnstown Symphony Orchestra, does freelance performance as a baroque violinist in the Pittsburgh area, and maintains a studio of 20+ violin students in Indiana, PA.

Simon Maurer, Violin, Baroque Violin, Viola ,studied violin at the Conservatory in Biel, and continued his studies in the U.S. with Geoffrey Michaels, Joyce Robbins and Claire Hodkins. He is the founder and artistic director of Sunday Sinfonia, a String Orchestra of enthusiastic amateur string players, based in Lancaster, Pa. Mr. Maurer is the artistic director of the Gabriel Chamber Ensemble, a group that takes pride in bringing classical music to underserved areas. In 2010 the Gabriel Chamber Ensemble took over the leadership of the Schuyllkill Youth Orchestra, newly renamed Gabriel Youth Orchestra. Mr. Maurer also ventures in the practice of jazz and freestyle improvisation. He has been a featured soloist in Philadelphia area jazz clubs, has performed at  โ€œJazzfestโ€ in Schuylkill County and Reading Pa.

Nancy Baun, Cellist,  has performed over 1,000 events throughout the United States, including three appearances at Carnegie’s Weil Hall, as well as in Switzerland, France, Italy, Iceland, and Canada. She appears on nine piano trio recordings, including a series on the Naxos International label โ€œHome for the Holidaysโ€, a favorite of Public Radio audiences. Her favorite highlights also include judging the semifinals of the renowned Koussevitzky Competition in New York City, and performing in a World Music Institute event at Merkin Concert Hall.  She has been an elementary music teacher for over 10 years in urban Buffalo, where she designed curriculum for her passion, โ€œcollaborative connections with musicโ€. She has received a national Young Audiences grant for her education workshops integrating music with drawing. She currently presents S. T. E. A. M. training to elementary teachers, as well as using music to teach life skills to formerly incarcerated.